Filmkollektiv Zürich AG

Julia and Romeo are two disenchanted lovers who want to break up but are unwilling to suffer the pain. After a nasty fight, Romeo storms off and unsuccessfully vents his frustration with a black prostitute. While visiting the ramshackle brothel, he sees a strange man, who may be a government official, handing over a huge wad of money. Later, he and Julia reunite and go to an upscale golden anniversary party. There a handsome American flirts with Julia. After yet another row, Romeo and Julia retire to the balcony for a love scene. Unfortunately, their making up is interrupted by a sudden power outage. When the lights go back on, Romeo finds the knifed corpse of the party's hostess at his feet. Naturally, he's accused of the crime, but before the other partygoers can get him, he and Julia flee into the Berlin summer night. Their strange series ensuing adventures comprise the rest of the film.

A theatrical group prepare Voltaire’s play “Alzire”. From this the ideas of Voltaire are examined as they relate to the present day political situation.

This 140-minute documentary takes a close look at the story and historical context of a young Swiss man who was beheaded during WW II for supposedly wanting to kill Hitler. The man's family cannot help clarify the issue since they say he had been pro-Nazi earlier. Other injustices or puzzling omissions come to the fore, such as a German who was against Hitler, survived torture by the SS, and then was not given any state aid when peace was restored. Another sequence shows an extensive U.S. archive of materials that identifies many Nazis and their activities -- but is not available to anyone trying to track down former war criminals. Like other films of this type, the documentary helps to fill in facts about WW II that are little-known, or slow in coming out.

A poetic documentary in the footsteps of author Hubert Fichte about the famous voodoo cult in Sao Luis do Maranhao.

A documentary about a proposed military training area in Rothenthurm, Central Switzerland, and the village's resistance to those plans.

The film is the story of a musical encounter between drummers Pierre Favre, Fritz Hauser, Daniel Humair and Fredy Studer. The filmmaker brought them together in Zurich on January 6, 1997, and followed them over four days of rehearsals. The confrontation between these very different artists culminates in a concert.

Villi Hermann and the cameraman Hugues Ryffel accompany the photographer Jean Mohr on three trips on Japan, Pakistan and Russia.

Konrad Zuse. Filmporträt des Computerpioniers und seiner Maschinen

The Shuar Indians live on the western edge of the tropical rainforest, between the Amazon lowlands in the east and the Andean highlands in the west, on the territories of the two states Ecuador and Peru. "Earlier, when I was a child, my grandfather took me by the hand and led me up a hill. He was already walking with a stick, but was still strong. He said to me: This land is Shuar land and the one who created this nature is a being called Arútam. When I die, you children will have to defend this land that belongs to us. These words are forever etched in my memory" (Antonio Chiriap, regional president of the Shuar-Federation).

Early experimental film from Claude Champion.

A line – drawn directly onto the film by Urs Graf. A film that makes no explicit statements, but in which one can (optionally) have an experience – for other lines/images/words. The continuous dissolution of the content always leads back to the medium (the line). Experiencing the medium as a medium allows one to more consciously find access to the meaning behind other lines/images/words.