Protect and Survive was a public information series on civil defence produced by the British government during the late 1970s and early 1980s. It was intended to inform British citizens on how to protect themselves during a nuclear attack, and consisted of a mixture of pamphlets, radio broadcasts, and public information films. The series had originally been intended for distribution only in the event of dire national emergency, but provoked such intense public interest that the pamphlets were authorised for general release.

A large family in London's East End is celebrating a birthday party. Children and grandchildren from this extensive family have come to the party from all over England. At the party the family members talk about hope and dreams for their children. The past and present lives of various relatives are compared with each other, while fragments from radio-programmes from the fourties and the fifties draw an emotional and historical line. Set against this archive material are fierce images of modern day family life in urban England in the year 1993. This makes the film a collage of dreams, memories and images of present-day life.

Meet Charley, your jovial cartoon guide to Britain’s changing towns and cities.

Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.

On an English farm, six reckless children play at being a fierce band of Apache warriors, unaware of the many dangers to which they are exposed. (Public information short film produced on behalf of the British Government to warn children living in rural areas about the risks of playing near farm machinery.)

The story of Jimmy, who conscientiously takes the National Cycling Proficiency Scheme test, and Leslie, who suffers a series of mishaps through his own negligence.

An account of the state visit to Britain by the President of India, Dr. Sarvepalli Radhakrishnan, in June 1963. In London he accompanied the Queen on a State drive, visited the Commonwealth Institute, attended a Guildhall luncheon and visited the country.

Part of BFI collection "Design for Today."

Popular animated character Charley explains the National Insurance Act, which was legislation that made health insurance available to all British citizens.

The Queen and the Duke of Edinburgh undertook an official visit to the region in February 1966, as documented in this film. The destinations on this month long excursion included: British Guiana; Trinidad and Tobago; Grenada; St. Vincent; Barbados; St. Lucia; Dominica; Montserrat; Antigua; St. Kitts-Nevis-Anguilla; Tortola (Virgin Islands); the Bahamas; Jamaica. This rich and detailed Technicolor travelogue was the only film authorised by the Palace. Strict instructions were given prior to the production being given the green light, most notably that the royals could only be filmed when ‘engaged in a public function’. Unlike the more relaxed footage or interviews you might see with the royals now the film is visually very official in tone.

No man is an island, but Charley represents his nation in this economical cartoon tale of Britain’s economics.

This cartoon propaganda short by Halas & Batchelor sweetens the pill of post-war coal prices by promising jam tomorrow.

Reported cases of sexually transmitted disease took a sharp rise during and after World War II, but as this film testifies, sexual license amongst soldiers on the frontline wasn't the sole cause. Back on the home front, for many women, like Joan from No. 19, loneliness or newfound independence acted as an incentive to extramarital promiscuity.

Produced by British Movietone for “Her Majesty’s Central Office of Information”, Royal Destiny traces Queen Elizabeth II’s young life up to her ascension to the throne.

Modern advice and old-fashioned values combine in this postwar animated health guide from the makers of Animal Farm.

Britain and Turkey had not always enjoyed the ‘special’ friendship referred to in the commentary. Their armies were on opposing sides in the First World War and there had been disagreementt over the future of Cyprus in the run up to the settlement of 1960. In the 1960s relations improved and this reciprocal tour (the President of Turkey, Cevdet Sunay, had paid a state visit to the United Kingdom in November 1967) was regarded as a milestone in the bilateral alliance between the two countries. The camera affords the viewer a prime vantage point by which to marvel at the splendour of the pageantry and contemplate every nuance of gesture and sartorial detail. As we linger on the bejewelled Queen waiting patiently at the British Embassy in Ankara to greet her guests we wonder what it might be like to be in her shoes.

2-6 March 1961 saw the Queen and Prince Philip make their first and only state visit to Iran. Their host was Mohammed Reza Pahlavi (1919-80), the Shah of Iran, who had already made an official visit to Britain in 1959.

Documentary about shipbuilding on the Clyde. In 1960, Glasgow and other towns and ports on the River Clyde, on the west coast of Scotland, were still one of the world's great centres of shipbuilding. The film gives an idea of the business of building a ship - the largest moving thing made by man - from the naval architects who design her to the workmen, the shipbuilders in the yard, through to a ship's launching.

Even the most devout monarchist may feel uncomfortable watching this film - hindsight makes this a rather poignant experience. Although clearly intended as a hymn to royal life, with a panting narration describing the bliss Charles, Anne and Andrew are experiencing (the film was made three years before the birth of Edward), the images tell a different story - only a couple of shots feature the children smiling, while the first glimpse of Andrew as a baby, a spotlight shining on his face as photographers snap away, is a faintly sinister symbol of the royals’ lack of privacy from birth. The knowledge that a future of divorce and tabloid scandal would tarnish these children's adult lives adds irony to this snapshot of supposed utopia.

Lewis Carroll's 'Alice' stories are used to explain certain sections of the Labelling of Food Regulations 1970.