Central Studio of Documentary Films

Following an introduction by Bing Crosby, the Cinerama screen widens for scenes of landscapes, cities, peoples, and entertainments of the Soviet Union. Highlights include the historic buildings and churches of Moscow, as the Kremlin; its subway and streets, a spring carnival, the seaside resorts on the Black Sea, a trip down the Volga River, skiers, a troika racing along a snow-covered road, a helicopter view of the North Pole, an Antarctic whale hunt, the capture of a wild boar in the Moyun-Kum of Central Asia, a race by reindeer-drawn sleds, divers in the Sea of Okhotsk, battling an octopus, the capture of antelopes, rafting logs down the Tisza River, and the development of new towns in Siberia. Other scenes include a visit to the Moscow Circus, where the renowned clown Oleg Popov performs, the dancing of the Moiseyev and Piatnitsky companies, and excerpts from the repertoire of the Bolshoi Theater Ballet.

A rare documentary that shows how Soviet war propaganda presented the events of the Finnish front in 1941–1944. The main emphasis is on the resolution of the war. The film contains plenty of unique footage of the final stages of the Continuation War.

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.

Children's books, which were considered a luxury in many Soviet families, were sent in large amounts to kindergartens and libraries. The former Rumyantsev Library (now the Russian State Library) had a children's reading room, where children would often choose a book based on the pictures on the card index. Which of the 1960s' writers were especially popular among them?

Documentary recounting the story of the Cuban Revolution and its impact on the young people of Cuba.

Documentary made for the 60th anniversary of Soviet director Sergei Eisenstein.

A documentary about the making of Andrei Tarkovsky's ANDREI RUBLEV, and Andrei Konchalovsky's THE STORY OF ASYA KLYACHINA.

Documentary portrait of Dziga Vertov, father of documentary cinema.

About the difficult political situation in the world related to the arms race.

"Our film is about the religious sect of Russian Pentecostals, one of the most reactionary and fanatical cults. Their actions are incompatible with the life and laws of our society. We testify that every frame of this film is documentary."

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

A documentary dedicated to Leonid Brezhnev.

A Soviet documentary chronicling the final assault on Nazi Germany’s capital. More than forty frontline cameramen from the 1st Belorussian and 1st Ukrainian Fronts captured the battle and its aftermath, supplemented with seized German footage. The film records the destruction of Berlin and the symbolic collapse of Hitler’s regime, standing as both a historical chronicle and a work of Soviet wartime cinema.

“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.

Dedicated to the memory of L.I. Brezhnev.

The director's reflections on the modern politics of the Reagan administration.