Central Studio of Documentary Films

A Soviet documentary chronicling the final assault on Nazi Germany’s capital. More than forty frontline cameramen from the 1st Belorussian and 1st Ukrainian Fronts captured the battle and its aftermath, supplemented with seized German footage. The film records the destruction of Berlin and the symbolic collapse of Hitler’s regime, standing as both a historical chronicle and a work of Soviet wartime cinema.

Documentary film about early years of Russian cinema: its first directors, cameramen, producers and actors. Includes rare fragments of pre-revolutionary feature films, newsreels and Starewicz's animation.

“The Magic Beam” is a film essay woven together from newsreels and documentary material from different decades, fragments of hundreds of non-fiction and fiction Soviet films of the 1910s-1960s.

A Soviet biographical documentary devoted to Leonid I. Brezhnev, portraying his life “at work and at home” and tracing his path from the son of a metalworker to General Secretary of the CPSU and Marshal of the Soviet Union.

A rare documentary that shows how Soviet war propaganda presented the events of the Finnish front in 1941–1944. The main emphasis is on the resolution of the war. The film contains plenty of unique footage of the final stages of the Continuation War.

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

Documentary essay about the First Moscow International Film Festival, held in August 1959, about its participants and guests - Soviet and foreign actors, directors who came to the film forum.

A documentary about the making of Andrei Tarkovsky's ANDREI RUBLEV, and Andrei Konchalovsky's THE STORY OF ASYA KLYACHINA.

March 9th, 1953. A gray, sad day. Clouds float low over the Kremlin towers. A city that unrecognizably grew, prettier and matured - this Moscow froze in solemn grief. The country escorts its father and leader, Joseph Stalin.

Documentary made for the 60th anniversary of Soviet director Sergei Eisenstein.

Documentary recounting the story of the Cuban Revolution and its impact on the young people of Cuba.

On August 24th of 1940 a group of cameramen cross the immense territory of the Soviet Union before it was attacked by Nazi Germany, and capture multiple aspects of life in this new world.

Children's books, which were considered a luxury in many Soviet families, were sent in large amounts to kindergartens and libraries. The former Rumyantsev Library (now the Russian State Library) had a children's reading room, where children would often choose a book based on the pictures on the card index. Which of the 1960s' writers were especially popular among them?

Documentary portrait of Dziga Vertov, father of documentary cinema.

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

A Soviet documentary chronicling a single day of the Great Patriotic War—June 13, 1942, the 356th day of the conflict. Filmed simultaneously across all fronts and the home front by 160 newsreel cameramen, and edited by Mikhail Slutsky at the Central Studio of Documentary Films, it offers a sweeping portrait of total war. Released in October 1942, the project captured the Soviet struggle against the German invaders in a single, coordinated day of filming.