Central Studio of Documentary Films

Comprising two segments, "London Will Not Surrender!" and "Our Moscow", the film showcases the air defense systems of London and Moscow.

Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.

The newsreel "Pioneerism" is dedicated to the theme of youth and childhood.

In 1930, during what became known as the Industrial Party Trial, some members of the Soviet technical elite were tried for plotting to form a counter-revolutionary party. This documentary depicts that trial, in which a dozen men are prosecuted for crimes against the Russian Revolution. They promptly confess and are given the chance to address the court with an explanation. Full of remorse, they plead for the opportunity to pay off their debt to society by working. Then they wait for their sentence.

The fate of former juvenile prisoners of fascist concentration camps.

A documentary about Fidel Castro's visit to the USSR from April 28 to June 3, 1963 and how the Cuban leader traveled throughout the Soviet Union for 40 days, from Severodvinsk to Khiva in Uzbekistan.

Soviet Documentary film of the 1945 victory parade in Moscows Red Square.

"Our film is about the religious sect of Russian Pentecostals, one of the most reactionary and fanatical cults. Their actions are incompatible with the life and laws of our society. We testify that every frame of this film is documentary."

On 12 April 1961, Russian cosmonaut Yuri Gagarin becomes the first person to journey into outer space.

The life story of Marshal Georgi Zhukov, hero of the First World War and commander of the Red Army during World War II, as told by actor Mikhail Ulyanov, who often portrayed him on film.

The Crimean (Yalta) conference of the leaders of the three powers - allies in the Anti-Hitler coalition was held from February 4 to February 11, 1945 in the Livadia Palace near Yalta.

About the leaders and the nature of the activities of informal groups in Moscow: “Democratic Union” and “People’s Front”.

An overview of the history of Moscow from the October Revolution to postwar reconstruction.

This Soviet-made film was screened on February 19, 1946 on the 62nd day of the Nuremberg Trial and submitted as evidence relevant to the indictment for "crimes against humanity." The one-hour film with voiceover commentary shows visual evidence of the extermination camps of Auschwitz and Majdanek and appeals to spectators' emotions by emphasizing individual victims. The central argument of the film is that the Germans were the executioners of peaceful Soviet citizens. At the time, it made a very strong impression on both the accused and press. The film is a re-edited compilation of footage collected by the Soviet film team over four years (primarily used for propagandistic ends in wartime Soviet newsreels and documentaries). It was prepared in emergency by the Soviet prosecution team and minister of cinema following the projection of Nazi Concentration Camps presented by the Americans on November 29, 1945.

Cultural figures and artists discuss the present and future of children's theatre in the Soviet Union.

The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).

A story of the exploits carried out by the oil technicians of Baku for the exploitation of the black gold deposit of the Caspian Sea.

Taking the viewer on a tour through several African nations and using the full range of agit-prop aesthetics in its imagery, didactic voice-over and melodramatic soundtrack, Law of Baseness offers a scathing anti-colonialist and anti-capitalist indictment of the Western world.