United States Information Agency (USIA)

The Spirit of America is a 1963 American short documentary film produced by Algernon G. Walker about the Spirit of America, the trademarked name used by Craig Breedlove for his land speed record-setting vehicles.. It was nominated for an Academy Award for Best Documentary Short.

"This film depicts how people around the world benefit from innovations developed by the U.S. space program. Without narration, the film uses motion pictures, still photography, and animation to show advances in food production, education, communications, navigation, meteorology, resource exploration, mapping, and other activities. The film was produced by Murakami Wolf Films, Inc. (Hollywood, CA), directed by Jimmy Murakami, executive produced by Fred Wolf, and features the voices of Olan Soule and Lennie Weinrib, with music composed by Chico Hamilton" (US National Archives).

"This film features the people of Puerto Rico and the revival of the ancient culture of that island. The story is told through the eyes and work of Dr. Ricardo Alegria — head of Puerto Rico's Office of Cultural Affairs and the first executive director of the Institute of Puerto Rican Culture. The film was produced by Paul R. Gurian, executive produced by David Boyer, and directed by Jack Sholder" (US National Archives).

A beautifully photographed record of the yearly cycle of planting and growth which culminates in bountiful harvests across the farmlands of the United States. Panoramic in its treatment, the film shows something of the diversity of farming and harvesting techniques, rapid transport to the distant consumer, university research to increase crop yields and industrial ingenuity in devising improved machinery to lighten the farmer's task and increase the productivity of the land.

"This film traces the history of mankind's aspirations to reach the moon, giving credit to the many levels of scientific genius that made the Apollo 11 flight and moonwalks possible. The program documents the Apollo 11 mission, as well as earlier flights, post-flight appearances by astronauts in various countries, and the reactions of people throughout the world as they watched or read about the historic achievement" (US National Archives). The version that the National Archives currently holds is a shortened 60-minute cut, with the original being 92 minutes.

An account of the rehabilitation of an electrician who is totally and permanently blinded by an accident. Shows how his courage and efforts help him to complete training under federal, state, and private programs which enables him to return to his job.

Armando Lios recruits Chente to steal Manolín and Burrito's sheep under the premise of liberation

During the fertile early years of Drew Associates following the breakthrough of Primary, came this seldom-seen portrait of David Allen, a jazz trumpeter struggling in the Santa Monica drug rehabilitation center Synanon House. Pennebaker’s love of music drew him to David and the film prefigures later portraits such as Dont Look Back. He teamed with Life photographer William Ray and producer Gregory Shuker.

"This semi-animated documentary film portrays Czechoslovakian animator Paul Fierlinger's arrival to the United States and covers his production of a film that presents the history, legends, and significance of the American flag. The film was produced by Concept Films" (US National Archives).

Journalist Burrito and scientist Manolin visit the “Red Planet” and are given special glasses with which to view the planet’s flourishing society. Burrito removes his glasses to reveal the “Red Planet” for what it really is, and Burrito and Manolin flee back to their home planet.

"This film examines immigration to the United States from the late 1800s to the 1950s. Ellis Island is the focal point of the program, which includes reminiscences by an immigrant as well as live action footage and old still pictures" (US National Archives). This documentary was a product of the Young Filmmaker Bicentennial Grant given by the US Information Agency.

"This film, made by the U.S. Information Agency (USIA) as part of its Cold War campaign to promote American interests and ideology abroad, covers First Lady Jacqueline Kennedy's visit to India and Pakistan in 1962 and focuses on Mrs. Kennedy's growing popularity as a diplomatic force. The film was directed by Leo Seltzer, narrated by Raymond Massey, and released by United Artists" (US National Archives).

"This film surveys agricultural progress in India, showing the role of USAID technical assistance. The film was produced by Fali Bilimoria and written by Zul Vellani" (US National Archives).

The March, also known as The March to Washington, is a 1964 documentary film by James Blue about the 1963 civil rights March on Washington. It was made for the Motion Picture Service unit of the United States Information Agency for use outside the United States – the 1948 Smith-Mundt Act prevented USIA films from being shown domestically without a special act of Congress. In 1990 Congress authorized these films to be shown in the U.S. twelve years after their initial release. In 2008, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". (Wikipedia)

"This documentary film covers a 24-day arts festival in Dakar, Senegal that highlighted Black contributions to the cultural heritage of mankind and was attended by an extraordinary cast of over 2,000 luminaries - including Duke Ellington, Langston Hughes, Alvin Ailey, Aime Cesaire, and Leopold Senghor - from dozens of countries. The film depicts performances by African and American entertainers and shows various works of art while also providing unparalleled insight from the perspective of the African American delegation. The film was written and directed by William Greaves" (US National Archives).

An anthology of five short films ("The Hands of a Stranger", "The Other War", "A Distant Province", "The Eighth District", and "PHILCAG"), made jointly by Vietnamese and American filmmakers. Collectively, the films "explore the faces of the Vietnam war that lie behind the fighting--those that must fight a war against fear, hunger, and despair. [They are] told through the stories of five "faces": a Filipino doctor and a Vietnamese child; a Vietnamese soldier and a Vietnamese villager; an American technical expert; a Saigon youth; and a Philippine Civic Action Group (PHILCAG) contingent" (US National Archives). The film is hosted by an unnamed man speaking to a Filipino audience (in English); so the anthology likely was screened in and/or partly produced with the Philippines.