Creative Agitation

If there is anyone who embodies the current state of life in Croatia, it is the police detective Ivan Peric. The son of a fisherman, he became a detective as a way of avoiding working in the only really prospering industry of present-day Croatia – tourism. Now his life is consumed by trying to solve a series of essentially unsolvable murders of tourists. Because the tourists are so widely despised, no one will help Ivan. Evidence disappears into the labyrinth of bureaucracy. He is humiliated in public and online. In the local press, his boss even labels him an “uhljeb”, the Croatian slur for a “lazy bureaucratic parasite”. All of this takes place in the city of Split, where the breakup of Yugoslavia has left its mark.

A reply to an earlier work – a radically digressive footnote – and the opening salvo of a new tendency. It is intensely personal and explores the relationship of storytelling to violence, to power, and to memory.

A family trip across the American West becomes an essay film about nuclear threats past and present. The apocalypse is omnipresent, and the journey shows that destruction has long since become inscribed into the landscape and history of the country.

A haunted man desperately searches for his lost love through an illegal pirate radio broadcast. Punk-agit-noir.