DEFA-Studio für Wochenschau und Dokumentarfilme

Sculptor Makolies is filmed working on a sculpture in the middle of a quarry in Swiss Saxony. The quarry workers go about their work around him. Both the work in the quarry and the work on the large figure in sandstone require strenght and conscientiousness. This film observers both types of work, without comparing them.

A moving short portrait of Karl Marx’s family and their living conditions during their time in London.

A locomotive journey traversing the North to the South of the German Democratic Republic on the eve of its dissolution. Labourers, punks, mothers, intellectuals, young and old are implored to reflect on their life choices, the sacrifices they've made, and their place in the world. Despite everything, hope persists.

Wittstock an der Dosse is located in the German state Mark Brandenburg, apx. 90 kilometers from Berlin. Since 1974 Volker Koepp visited the town several times to examine life of the female workers in the textile industry. He interviewed them about their work, spare-time, thoughts and feelings. Three of them were questioned repeatedly for a long-time overview. This is the outcome of 10 years of Koepp's work. Written by Tom Zoerner

An international anthology about the struggles of female workers around the world.

From an official perspective, marginal youth culture did not exist in East Germany. The topic of subcultures was taboo in the GDR, and groups such as goths, skinheads, anti-skins, punks and neo-Nazis were dismissed as social deviations promoted by western countries. Director Roland Steiner had access to such young East Germans in the late 1980s. Over the course of four years, he brought them before the camera in an attempt to understand what drew them to these groups.

Martha Bieder is the last rubble-woman in Berlin Rummelsburg. Every day, rain or shine, she stands at the conveyor belt - as she has for decades - sorting through rubble. After a retirement party thrown for her by her male colleagues, she tells her story of being a rubble-woman in post-war Germany.

A consciously modern depiction of working women in East Germany – labourers and managers in a garment factory talk about relationships and family planning, raising children and career qualifications, women’s rights and equality in the socialist (meritocratic) society. In conversations with a doctor, the women also have a chance to voice their personal concerns, as well as their feelings about the birth control pill, a subject that caused a stir at the time.

Posing as West German journalists, East German documentary filmmakers Heynowski and Scheumann pay a visit to the notorious Nazi-turned-mercenary Siegfried “Kongo” Müller, pump him with booze, and get him to talk about his life and war campaigns in Africa.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.

Documentary film about the Spanish Civil War.

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

Rostock - GDR county on the Baltic. This county covering the northern part of the GDR is the welcoming destination of many people: holidaymakers, tourists, people on business trips and seamen. Sometimes there is an equal number of local residents and visitors. The film reports on the development of this formerly backward region to an advanced agrarian and industrial county. It reports on the way of life and achievements of the people and gives the viewer an impression of the county's scenic beauties.

In view of the rapidly advancing development of technology, the film draws attention to the fact that people will not be able to manage without knowledge and skills. A boy breaks into a computer station and, by operating it incorrectly, causes chaos at an agricultural production cooperative.

Journalist Daniela Dahn interviews the East-German author Christa Wolf during the German reunification: reflections on history, changing politics, life and work.

Volker Koepp documents life in the Dorotheenstadt in Berlin-Mitte, which was called "Feuerland" in the 19th century.

Nine very private encounters with different people of the post-war generation and their memories of childhood and youth. Among others, the guitarist and singer Peter "Caesar" Gläser and the actress Christine Harbort. Roland Steiner asked his contemporaries about - "What we remember ...". All interviewees are as old as the state they live in. Nine CVs from the GDR are described. They have different professions, from skilled worker and scientist, nurse and saleswoman, actress or rock musician, even a minstrel is included. They remember what shaped them: Family, school, birthdays and hot summers, the happy moments and their own failures.

The Nikolaikirche is the oldest building in Berlin. The reconstruction of this building in 1981 marked the beginning of the reconstruction of the historic heart of Berlin. The film shows the work on the Nikolaikirche, the Ephraim-Palais and the equestrian statue of St. George and describes how the restoration was carried out in painstaking detail, using almost forgotten craftsmanship. In 1987, the reconstructed quarter with its mixture of old and new was handed over to the people of Berlin.

The writer Franz Schmidt reads to two editors from his new romance novel. The two criticize the lack of a problematic portrayal of the joyful life of youth, the role of women and the collective "welding together". He is asked to revise the work again. In his new version, the writer presents - in a staged setting - a pair of lovers who want to start a life together in front of smoking chimneys with a piece of steel from the new production. But even this does not satisfy the two art experts. A couple are kissing in front of the window. They point to it and recommend another revision. Outraged, Mr. Schmidt tells them he is going to write a story about real-life art experts and leaves. Their photo disappears into a folder labeled "superfluous contemporaries".

Sixth Wittstock film. This Wittstock film, co-produced by the French broadcaster La Sept, begins in 1990. Koepp shows the consequences of reunification and the economic and social upheavals in East Germany. The state-owned knitwear factory is privatized. Edith is the first of the film's protagonists to lose her job. She helped bring about the changes and left the SED, the GDR's ruling party, in September 1989. The three women agree that things could not continue as they were. Although they were all members of the SED and the upheavals hit them hard. Edith is in her mid-30s, as is "Stubsi," alias Elsbeth. Elsbeth is one of a group of 17 out of 80 workers who are allowed to keep their jobs. For now. Renate is laid off shortly after her 50th birthday and after 36 years of working in textile production. One of her daughters moved to the West before the end of the GDR. A good decision, Renate thinks.