Tallinn television studio

The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?

Estonian tv movie adapted from a children's novel.

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

A group of sleepless men should be taken into sanitarium for insomnia therapy. They are taken to a lonely island but no sanitarium is in sight. It turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape.

A musical comedy about singer Toomas Aringus and rally driver Mati Uibo, whom journalist Tiina Salum considers to be one and the same person due to their external resemblance.

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?

A musical comedy about the adventures of boys, girls and a bear cub named Mishuk.

Based on the tales of Chinese writer Pu Songling, the film depicts the romantic relationships of a Chinese student with an undead girl and a fox spirit maiden. Rainer Sarnet's diploma film.

In a late 19th-century Estonian village, farmer Jaan struggles. He works for Andres but can't provide enough. Jaan falls for Andres' daughter, Anni, who helps. Desperate, Jaan turns to theft, gets caught, and is sent to Siberia with Anni.

Arvo Pärt is regarded as one of the most original avant-garde composers. This documentary shows Pärt as a deeply spiritual man whose work is bound up with his religious beliefs. Both he and his music defy classification, and he is determined to preserve his aura of mystery.

One of the most popular and talented writers in contemporary Estonia - Viivi Luik - has always hurt her heart for the fate of her country and people. As a poetess, she maintains miracles, simple and human, through her poetry. In the film Viivi Luik and Jaan Kaplinski make sense of the moments of time.

A three-act film-essay about memory and the historical-cultural ties of the Finno- Ugric peoples. The first chapter is dedicated to ancient Bearese of memory, such as Karelian cliff drawings, Kalevala runo song and Khanty bear feast rituals. the second act portrays the visit of Elias Lonnrot, compiler of the Finnish national epic Kalevala, to Estonia and his meetings with local intellectuals. Part three re-enacts an ancient smelting and blacksmith ritual set to Veljo Tormis' cantata 'curse upon iron'. Filmed in 1985 in Uhtuo, Karelia; in Khantia-Mansia at the Agan river, a tributary of the Ob; and in Estonia (Tallinn, Kuusalu, Tartu, Voru, Litsmetsa in Voru county, Lullemae, Karula, Rongu, Narva, and at a bend of the Pirita river). The third documentary in Lennart Meri's "Encyclopaedia Cinematographica Gentium Fenno - Ugricarum" series.

One lovely day a young man, a former ballet dancer suddenly finds himself on a pension and begins searching for a new place in life. Fate brings him together with a rather mischievous young day for whom her mother has been trying to find a tutor. Many exciting events begin to take place.

The oak tree in Seja is roughly 700 years old. Around this monumental tree, the peaceful and repetitive life goes on in the village, a group of houses in the middle of the forest. It is an almost unworldly existence in a condition of absolute simplicity where people are grateful for a hot cup of coffee and a good potato harvest.

Nighttime at the tram depot. A closed tram car, from which a young businessman who fell asleep on the tram finds himself waking up. However, he is not alone...

The story of Balthasar Russow, an Estonian pastor from the 16th century, his life and life's work - writing The Chronicle of Livonia.

In the summer of 1980, Tallinn hosted yachtsmen participating in the 22nd Summer Olympics. The competition was held at the new Olympic Sailing Center in Pirita, specially built for such a significant event. As part of the cultural program, a large landing party of pop artists from the Union republics and socialist countries landed in Olympic Tallinn.

In Paradisum relates two disturbing stories simultaneously. The female narrator tells her personal tale of imprisonment as the wife of the notorious Estonian serial killer, Andreas Hanni. Although her story is bizarre, it touches familiar themes that run throughout modern life: the desire to be loved and the fear of being alone. Pille Hanni's tale unfolds over cinema vérité images of life in several Estonian prisons. At times the images reflect in a literary way the events of the narration, yet they are representations and impressions, rather than traditional documentary style footage of the people involved. This opens the story to a more general interpretation, often with unsettling results. The parallel contents reveal, at two levels of story and social organisation, how the bizarre and inhuman can be tolerable and even addictive in the face of our fears.

A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on.