Tallinn television studio

The story of the town of Cardamom and the people there, as well as the only characters who stir up serious trouble.

On a nice summer day a funny little car rolls over a peaceful farm yard of Muhu island. The family that withdraws from the vehicle is quite odd-looking: an overbearing madam, a henpecked stammering husband and a mystical red-head. They announce that they want to spend their vacation in the farm ... "We are from capital, we will pay". This quiet vacation turns out to be a frantic day with romance, unexpected turns and fisticuffs between suitors.

Toomas Joller has been an actor for twenty years. Joller is popular and has been awarded the honorary title of People's Artist. But Joller's star is gradually fading. He becomes egoistic and self-centered, his performances remain superficial. An actor's internal combustion requires hot water, which Joller uses in abundance together with his friend, the comedy actor Ruts.

A story about young people and heartache. Youth — a sense of strength, but not yet a sense of responsibility, often leads to thoughtlessness. Gradually, this accumulates into a debt that has to be paid in life. A philosophical reflection on a young man aims to recognise this debt so we can think about it from early on.

The protagonist of this satirical short is a photographer whose camera captures photos of people's true nature. We often have to ask ourselves whether we see the truth around us. But do we want to see it?

A musical comedy about singer Toomas Aringus and rally driver Mati Uibo, whom journalist Tiina Salum considers to be one and the same person due to their external resemblance.

A group of sleepless nerds should be taken into sanitarium for hard-therapy. They are taken to a lonely island but no sanitarium is in sight. Suddenly turns out that the nurses have kidnapped the men and are about to give them the only useful medicine they need - fresh air and work. But the patients decide to disobey. There's only one solution - to escape.

Mark Soosaar's documentary essay on Eduard Wiiralt - a satanic clairvoyant and angelic artist, as he was described in Le Courrier Graphique magazine in 1937 by critic Pierre Mornand. It's a portrait of Eduard Wiiralt through the eyes of his female models. The camera travels around Estonia, Lapland, Paris and Morocco. Not all models can be found, but the thoughts and spirituality that accompanied the artist can be found.

Based on Jaan Anvelt's novel "Outlaws" which deals with the struggle of the Estonian Communist Workers' Movement and the life of revolutionaries in the Republic of Estonia in the 1920s. The film represents the maturation and decay of human soul in tense situations. The dark intersections and the dense, abandoned areas create a tumultuous tension field in which the characters find themselves. Their choices and decisions overwhelm them in one way or another. Where is the way out?

On October 17, 1993, local government elections were held in Estonia. The film takes the viewer to Antsla, a small town in Võrumaa, where more than a third of the population is retired. All this is a mirror of Estonian life, from which tensions, pains and worries, few joys and high expectations face society. The old laws are no longer valid and the new ones are not yet rooted.

Eduard Bornhöhe „Kuulsuse narrid" is a fun story about two unsuccessful, yet aspiring fools. Jaan is an incompetent and uneducated inventor, Saalomon is a talent less poet.

Boris Lehtlaan performs popular tunes of the time at an open-air concert.

A parody of several popular movies such as A Man and Woman (1966) and The Last Relic (1969).

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

The film based on Eno Raua's stories "Päris kriminnene lugu" and "Telepathic lugu" takes the viewer to a summer town in Estonia, where boys and girls meet with exciting adventures, dreams and falling in love. There are no real forensics and telepathy here, but it is about the disappearance and finding of a little boy. In addition to adventures, the main characters find something else - both in life and in themselves.

Mermaids and humans have crossed paths throughout millennias.Their generally peaceful coexistence is described in naiadological literature, as well as in the folklore of many nations. Our mermaid people are poetic and mysterious - we meet these gentle and femininely charming creatures in nature and in the everyday life around us. The film follows the principles of scientific lyricism, and takes the viewer through the history of naiadology and introduces the main types of mermaids. The mermaids were captured in beautiful places in Estonian waters.

Three lyrical short stories: about locksmith Toomas, captain Hermann and gardener Ferdinand. Three different areas of life and fate, but a common longing for beauty.

Among Tooming's filmic works, Endless Day provides perhaps the most eloquent material for investigating the radical renewal of visual and narrative form, as well as the shifting registers of spatio-social portrayals and critiques in Estonian cinema. It was banned in 1971 and ordered to be destroyed. However, the film was retained and restored in the 1990s.