P.C.L. Eiga Seisaku-jo

A five member circus runs into problems while touring rural Japan.

Among the tight-knit neighbours are a poet, his actress wife, a bachelor budding author, a tobacco shop owner-cum-landlady, an insurance salesman and his nosy and greedy wife. Enter a young and seemingly high-class couple who just so happens is open to purchasing life insurance from their swift neighbour. In the meantime, life is imitating art across the street, which may end up providing for either a happy ending or a rude split - eventually that is.

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

The story deas with the experiences of an exceptionally strong-willed, middle class Tokyo "ojōsan" who comes to teach in a middle school in the countryside.

Otherwise promising young man Asaji and his younger brother Yuji face blighted lives due of society's disapproval of their illegitmacy and déclassé family.

Three sisters earn money for their bossy mother by being samisen street musicians. This means mainly playing a banjo type instrument for tips in bars...

Wealthy young Toyomi and Shintaro are in love. However, Shintaro’s father is arranging for him to marry Yurie, the scion of an even wealthier family. The two lovers flee to Tokyo, but when Shintaro returns to proclaim his intent to marry Toyomi, his father browbeats him into attending the marriage meeting with Yurie. Part one of a two-part romance based on a story by noted author Kikuchi Kan.

1936 P.C.L. adaptation of Natsume's novel.

This film is based on a real Meiji era performer -- and tells of Tochuken's partnership with his wife (played by Chikako Hosokawa) who played shamisen for his songs/recitations), his affair with a geisha (Sachiko Chiba), and the deterioration of his partnership and marriage.

Hide-chan (Hideko Takamine) and her family are on a trip to Tokyo. While visiting a fairground, a pickpocket (Kamatari Furukawa) steals the father's wallet. While everyone is trying to hunt down the thief, Hide-chan decides to make the most of it and enjoy her stay, while the thief and his main pursuer (Akira Kishii) play hide-and-seek among the funfair's spectacles and freakshows

The study of a one-year marriage that begins to crumble. A married man is torn between the love of his wife, and the attraction to a cousin of his wife.

An early Tōhō salaryman musical.

Musical film

In a slum in Edo Japan, a ronin hopes that his deceased father's former master will hire him while a disgraced hairdresser attempts to regain his pride by kidnapping the daughter of a wealthy pawnbroker, who is set to be married.

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

Kayo and Kuniko graduated from girls' school together and are as close as sisters. Kuniko's fiancé, Minakami, feels something that attracts him deeply towards Kayo. On the other hand, Kayo prays for the happiness of her best friend and marries a very ordinary man. However, at one point, this mediocre but increasingly ferocious husband died in an accident ... A triangular love story develops depicting a woman's heart that sways between love and morals. Based on a novel by Nobuko Yoshiya, there were originally two parts to the film (If Spring Comes & Fall Once Again), both supposed to be 85 minutes, but apparently what we have now is this 103-minute amalgam of the two.

Young Hiroko’s conservative principles place her at odds with most modern women, as she has already submitted to her mother’s choice of man for any marriage prospect. Wed into an affluent family that practically treats her as a housemaid, locked away like a 'doll' by her estimation, Hiroko’s own submission to traditional thinking brings contradictions to light.

A story of two sisters, the older being more traditional, the younger a "moga" ("modern girl"). Their widowed father runs the family sake shop, but is running into financial trouble, causing him to tamper with his stock; Meanwhile, his long-time mistress yearns for something more serious. Amidst this, the older sister is introduced to a well-off suitor: A university boy, much more intrigued by the less traditional little sister. A doddering grandfather, an officious uncle and busybody neighbors also don't make the lives of the hardworking members of the family any easier.

The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.