Bison Motion Pictures

An old Indian legend tells of the supposed ability of persons who have been turned into wolves through magic power to assume human form at will for purposes of vengeance. This film is presumed lost.

A re-enactment of Gen. Sheridan's ride from Winchester Cedar Creek to rally retreating Union soldiers and defeat Gen. Early. A love story involving the general is also told.

Based on a play by Edward Bulwer-Lytton. Originally released in six reels, but later cut to four due to poor reviews. A lost film.

When Indians attack a white settlement, a brave kidnaps a white baby to give to his wife as a replacement for their dead baby. The white mother goes to the Indian camp to look for her child and is captured by the Indians who plan to torture her. The settlers attack the Indian camp, destroying it completely and killing the braves, while the Indian wife returns the baby to the white woman and allows her to escape. The Indian wife mourns her baby at its grave, unaware of the destruction of the Indian camp.

Reed and Rosson are owners of the Yellow Aster mine. They have taken out enough gold to make the final payment, which is due. Both brothers love the same girl, Pauline, but she prefers Reed. Reed saves an Indian, Eagle Eye, from the drunken taunts of a half-breed, and the latter swears vengeance.

The Tornado mostly followed pulp Western formula -- bad guys hold up a town, take a girl hostage, and the hero rides to the rescue. But there were a couple of twists that made it seem more personal than the usual cowboy fare. Ford's Jack Dayton ... is known as "the No-Gun Man" because he faces the villains unarmed, anticipating the character played by James Stewart in George Marshall's 1939 Western comedy classic Destry Rides Again. Dayton is an immigrant who uses the reward money to bring over his mother (Jean Hathaway) from Ireland, a prototypically Fordian situation if there ever was one.

John Dayton is shot by George Willis in a saloon quarrel. The deed is seen by Arline Marsdon, who gives Willis money and a marked timetable, whereby he escapes and goes further west. Mrs. Dayton is determined to bring the murderer to justice and engages the services of Craig Burton, a detective.

Dr. Reid, a young American physician in the Philippines, risks his life in the cause of patriotism, and eventually wins the love of the girl of his choice. With the idea of developing in the natives in his community the spirit of manly citizenship, Dr. Reid requests the War Department to furnish him with a number of discarded Winchesters with which to drill the natives. His request is granted, but he runs afoul with the occupant Spanish army.

Francois Villon, vagabond, poet and philosopher, and his friend Colin, leave the vagabond camp and start for Paris. En route to that city, Villon's heart is touched at sight of the eviction of an elderly couple from their poor home. Whereupon he empties his own and Colin's purse, pays the Beadle, and then resume their journey. Overcome with the pangs of hunger, they "lift " the purses of a couple of corpulent monks. For this breach of law both Villon and Colin are arrested and thrown into prison. This film and By the Sun's Rays are two of Chaney's earliest surviving films.

Billy Carter and two Mexicans, Cuteo and Estaban, are smugglers of opium which they bring across the border from Mexico into the United States. The authorities are unable to apprehend them, so "Pinnacle" Bill and "Cheyenne" Harry of the Arizona Ranger Service are sent to assist the sheriff, Dan Beckham, and the inspectors in their search.

Troubled by the plight of the overtaxed citizens of the Kingdom of Corona, Prince Frederick is inspired by the legend of Dick Turpin and sets out to emulate his adventures.

Bob Evans, a telegraph operator, together with a group of soldiers gets ambushed by Sioux Indians. Wounded, he climbs into a telegraph pole and asks through the telegraph wires for help from the fort. Bob's fiancée Edith comes along with the soldiers. The soldiers find only dead bodies and decide to chase the Indians. Edith stays behind to search for Bob. She finds him and together they return to the fort. The Sioux then attack the fort, but when the situation seems hopeless, the army returns and the Indians are expelled.

Sheriff Crane's wife and child are preparing for a little journey with their wagon and team. On arriving at the store, the wife, on attempting to get out, stumbles and startles the horses, which causes them to run away, the child hanging on to the wagon. This is seen by Harry, who gives chase, captures the runaway horses, and returns the child, unhurt, to the mother

American silent short movie.

Major Carter, owner of the Sunset mines, reads of a reward offered for Cheyenne Harry if captured. The butler gives him a telegram telling of the flooding of several shafts in his mine. He is soon on the way to the mine in his car. Ruth, his daughter, follows in her roadster.

Despite being disqualified for war service, a young man volunteers as a war correspondent and ends up performing heroically at the front anyway.

The sheriff, Dan Beckham, and his deputy, Bud Cameron, are posting signs offering a reward for the capture of Cheyenne Harry, accused of holding up a Wells Fargo shipment. Shortly after they have tacked the sign to a tree Cheyenne Harry removes it.

Big Jim Cullison, boss of the Henley logging camp, hires Grace Ivers. She proves very capable, and he comes to value her. Sometime later Jerry Henley, the owner of the camp, arrives on a tour of inspection, accompanied by his secretary, Graves. The latter is an old confidence man, who had once wronged Grace, and he threatens to expose her if she gives his game away. Jim overhears, kicking Graves out of the camp, forcing him to write a note to his employer, saying that he has been called out of town on business. Jim thinks Grace has fallen for Henley and steps aside. But when Henley departs Grace tells Jim she really loves him, and the lovers are united.

A stagecoach robbery leads to a desperate attempt to round up the bandits.

The sheriff of the county is elected by men who call him the "squarest sheriff alive." Panchita Garcia, the flower of the town, loved by all, leaves home for a walk, passing through the town, where all the cowboys come out to meet her. "Bad" Pedro, a native, sees her and follows. He overtakes her and tries to kiss her. The sheriff, who has been passing by and has given Pedro's wife money to buy food for the starving children, hears her and runs to her assistance.