Statens Filmcentral

It is time for the written examination. Everybody is waiting for the exact time to come where they can turn the paper and start the examination. All the tables are placed in lines in the assembly hall. Not a sound is being made and the atmosphere bears the marks of excitement, anticipation and nervousness.

12-year-old Martin finds the going tough. Manhood is approaching, but so far mostly as aches and pain. His mother's men friends are definitely nothing like the father he does not have. So some kind of male bonding is inevitable when he meets Funder, a juvenile droput on the run from the police. There is also girl-friend Rikke to consider. Who needs Martin the most? Coming of age isn't so easy.

An animated film about sex -- regarded from a more humorous point of view than usual. (DFI)

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

The boy Kim moves with his family from the countryside to a ghetto in a big city. He does not do too well in school, and that makes him an easy victim for the hard core bullies in the new school. When the group leader is moved to a private school, Kim is accepted in the gang - as long as he provides cigarettes for the other members. This of course leads to a confrontation with the school teachers, his family and eventually the gang members.

Africa-related animals and things are spelled and illustrated with Bent Barfod's wonderful animations. A for Africa, B for banana, C for chimpanzee, D for dromedary... The text was improvised by children from Den Lille Skole in Lyngby. (DFI)

The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."

A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."

The race against time ... Water, blooming life/suffocating death. Fighting back to life despite an irreversible loss is the greatest victory over death.

In a culture where cremation is unusual, cemeteries fill up rapidly. In Latin America and in some other places, to solve the problem, remains are frequently exhumed. In Cuba, two year after interment. Relatives are invited to observe the little ritual. The music of the film is drawn from requiems from different periods. Twelve pieces by seven different composers are quoted. Together, they make up a traditional requiem, although only a few passages from the "dies irae" have been included, and other sections are slightly abbreviated.

Klaus Rifbjerg is a portrait that has the author talking about his work in a series of tableaux.

At the holiday colony Sæbystrand in Sæby under the Copenhagen Municipal Teachers' Association you follow the boys in daily life

A feminist film produced in close co-operation between women who - through situations chosen by themselves for the film - partly step out of their anonymous rôle-playing and partly disclose identities that are survivors of all the oppressive tendencies of a normative society. A film about yearning. Women will live on and survive all bloodsheds and they know that with security the culminations will level out. (DFI)

Collage-inspired cartoon and trick film about a man who wakes up to a world where everything is sticky: the alarm clock, the telephone, the kettle, etc. - or is he still dreaming? (DFI)

The film depicts life in the Faroe Islands in the 1960s. It's a small society that has maintained its connection to the past, with old customs and ways of life, despite significant developments in trade and industry. Here, fishing remains one of the fundamental pillars of the Faroese economy. The film follows five men, crew members on the same trawler, from the moment they leave their homes in five different places in the Faroe Islands until they meet in the capital, Tórshavn, after long and difficult journeys to set sail on the trawler.

An association course of circles, triangles, flowers, an eye and a tear drawn with chalk - all tied to the rhythm of the music (New Orleans Parade). The film has the subtitle "Some lines scratched in the film by Jørgen Roos". (DFI)

This film was shot at a factory. A factory making shirts in the town of Herning i Jutland, decorated by Paul Gadegaard. Formerly art was confined to churches and palaces. Today man is in focus - his working place. Paul Gadegaard has been able to accomplish this pioneer work thanks to art experiments carried on since the beginning of this century.

From both a scientific and an artistic point of view, the film seeks to answer the question, 'what is light?'.

The film is shot at Havana's psychiatric hospital, Mazorra, where mainly the chronically mentally ill are treated through a rehabilitation program that aims to integrate them into society through occupational therapy. The film tells about the treatment methods used and the underlying attitude, which can also be taken as an expression of Cuban society's view of humanity.

A ballet abstraction shaped as a combination of cartoon and trick film, where the dancers move behind, in front of and between the animated. The eternal pair experiences dangers and joys and finally disappears as it arose. (DFI)