Statens Filmcentral

An animated film about sex -- regarded from a more humorous point of view than usual. (DFI)

An existential pictorial poem about human life. "Can they stand it? Do they never feel?" (DFI)

In Mozambique, the role of women is changing. After liberation from Portuguese colonial rule, women actively participate in the construction of socialist society. The film presents its theme through conversations with three women who talk about their work (in the countryside, in a factory and in a hospital), their family life, their education and their participation in the fight to keep "the armed bandits" from South Africa away from the country . Along with the presentation of the women, the film also gives an impression of Mozambique's development from the time when the liberation movement FRELIMO broke the country from the Portuguese yoke.

It is time for the written examination. Everybody is waiting for the exact time to come where they can turn the paper and start the examination. All the tables are placed in lines in the assembly hall. Not a sound is being made and the atmosphere bears the marks of excitement, anticipation and nervousness.

12-year-old Martin finds the going tough. Manhood is approaching, but so far mostly as aches and pain. His mother's men friends are definitely nothing like the father he does not have. So some kind of male bonding is inevitable when he meets Funder, a juvenile droput on the run from the police. There is also girl-friend Rikke to consider. Who needs Martin the most? Coming of age isn't so easy.

Report from life at a campsite on Samsø. The campsite is seen as an introduction to Denmark, as a Danish microcosm.

A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

An art film by Per Arnoldi about a wide range of things with redundant, non-functional ornamentation and banal beauty: Cakes, candies, lollipops, mechanical toys, slot machines, paper hats, masks, noses, fireworks, streamers, artificial flowers, pranks, flags and much more more. It is terrific that such ornate things are produced, on top of that by machine, and add appetizing and purchase-promoting properties to them. And in terms of beauty, this very banality can be accepted as fully as anything else. (DFI)

The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."

The race against time ... Water, blooming life/suffocating death. Fighting back to life despite an irreversible loss is the greatest victory over death.

An interview with Yugoslavian director Dušan Makavejev.

At the holiday colony Sæbystrand in Sæby under the Copenhagen Municipal Teachers' Association you follow the boys in daily life

A staged documentary about an American ex-Vietnam soldier who teaches other Americans - men, women, children - to use weapons to defend themselves and obtain the possibility to say: "NO".

Starring Reuter Christiansen herself and shot in the lush landscape of Møn, the Danish island where she has lived since 1970, THE EXECUTIONER uses a fragmented narrative to tell “a story of woman’s degradation and exaltation,” as its subtitle indicates. A landmark of Danish feminist art, the film was also Reuter Christiansen’s first major collaboration with Henning, who composed the film’s lyrical, subtly experimental music.

A satirical presentation of the public school debate, exhibiting three different teaching methods. First, the authoritarian education system of old; Second, a more modern form, combining theory and practice; and finally, the teacher's nightmare, where children are taught only the necessities for modern life: sales techniques, status symbols, and how to (quite literally) elbow your way to the top.

The group Young Flowers plays "And who but I should be", Joan dances. Jørgen Roos has manipulated the whole thing. Joan is a professional go-go dancer. People like to look at her and she likes to be watched when she dances. For her, dance is an expression of a kind of joy in life, which is perhaps a postulate. So is the movie. Symbols are such a pretentious thing. Is she thinking all that? Do we put something into it ourselves, or is it manipulation with a hidden meaning - it really doesn't matter, because she is very sweet - Joan. (DFI)

From both a scientific and an artistic point of view, the film seeks to answer the question, 'what is light?'.

The boy Kim moves with his family from the countryside to a ghetto in a big city. He does not do too well in school, and that makes him an easy victim for the hard core bullies in the new school. When the group leader is moved to a private school, Kim is accepted in the gang - as long as he provides cigarettes for the other members. This of course leads to a confrontation with the school teachers, his family and eventually the gang members.

With the relationship between mother and daughter as a common theme, the film is divided into 9 image rooms with action patterns that are based on archetypal images and motifs. The film is unconventional in its choice of means of action. Ursula Reuter Christiansen, who is a painter, tells her adventurous stories with an emphasis on the visual element, which works in interaction with Henning Christiansen's original soundtrack. (DFI)