Statens Filmcentral

Jytte Rex charts the white or wilfully deleted spots on the map of primarily women's happiness and grief. This is done by the experimental filmmaker's positioning of a dream narrator as a guide through the manyleveled visions, stories and pictures that unite work, love, and revolt in any individual's life. The title refers to the cloth or veil on which crucified Christ's tormented face left an imprint for posterity.

From both a scientific and an artistic point of view, the film seeks to answer the question, 'what is light?'.

Musical cartoon fantasy of "When the Saints", sung and played by Matty Peters and Billy Moore. (DFI)

At the holiday colony Sæbystrand in Sæby under the Copenhagen Municipal Teachers' Association you follow the boys in daily life

The basis of the film is a series of original drawings with the joint title 'Upruption', drawn by Palle Nielsen from the autumn of 1965 to the beginning of 1966. There are people fleeing from a disaster which has already caught up with them, people thrown to the ground as if by a giant blow, crawling , cowering, always with their faces turned in terror to the sky, while entire cities crash around them. There is a mute, nameless horror around these faces that scream without sound. (DFI)

A cinematic experiment that moves in several planes. Four people act out a human course, seen with white silhouettes on a black background. 'Inside' them - or behind them - a different process plays out, supported and contradicted by the sound side. (DFI)

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

Starring Reuter Christiansen herself and shot in the lush landscape of Møn, the Danish island where she has lived since 1970, THE EXECUTIONER uses a fragmented narrative to tell “a story of woman’s degradation and exaltation,” as its subtitle indicates. A landmark of Danish feminist art, the film was also Reuter Christiansen’s first major collaboration with Henning, who composed the film’s lyrical, subtly experimental music.

The film shows examples of furniture, ceramics, glass, silver, cutlery and textiles. It was produced in connection to an exhibition "The Arts of Denmark" that took place in USA 1960-1961.

A lyrical cartoon about the coming of spring inspired by Sigfred Pedersen's poem "Forårs Fredrik." (DFI)

What happens when Adam and Eve have borrowed money for everything they own and have? Then they end up in the hamster wheel, like everyone else, who consumes beyond their means. Humorous fable about the blessings of the installment system - and its consequences. (DFI)

A film experiment that uses a monotonous technique to depict a monotonous slice of daily life.

An interview with Yugoslavian director Dušan Makavejev.

An art film by Per Arnoldi about a wide range of things with redundant, non-functional ornamentation and banal beauty: Cakes, candies, lollipops, mechanical toys, slot machines, paper hats, masks, noses, fireworks, streamers, artificial flowers, pranks, flags and much more more. It is terrific that such ornate things are produced, on top of that by machine, and add appetizing and purchase-promoting properties to them. And in terms of beauty, this very banality can be accepted as fully as anything else. (DFI)

Report from life at a campsite on Samsø. The campsite is seen as an introduction to Denmark, as a Danish microcosm.

An existential pictorial poem about human life. "Can they stand it? Do they never feel?" (DFI)

This film was shot at a factory. A factory making shirts in the town of Herning i Jutland, decorated by Paul Gadegaard. Formerly art was confined to churches and palaces. Today man is in focus - his working place. Paul Gadegaard has been able to accomplish this pioneer work thanks to art experiments carried on since the beginning of this century.

An association course of circles, triangles, flowers, an eye and a tear drawn with chalk - all tied to the rhythm of the music (New Orleans Parade). The film has the subtitle "Some lines scratched in the film by Jørgen Roos". (DFI)

A cartoon film about a little boy who decides to see the world. He leaves home in search of the characters in his favourite books: the Lion, Phantomas, Tom Thumb and others. (DFI)

With the relationship between mother and daughter as a common theme, the film is divided into 9 image rooms with action patterns that are based on archetypal images and motifs. The film is unconventional in its choice of means of action. Ursula Reuter Christiansen, who is a painter, tells her adventurous stories with an emphasis on the visual element, which works in interaction with Henning Christiansen's original soundtrack. (DFI)