Studio Filmowe Kalejdoskop

Francis Ratay witnesses the theft of church painting "Angel with violin". The entire incident recorded by an amateur camera. The thief turns out to Benedict Weber, gallery owner and art connoisseur. Francis comes to his gallery. Blackmails him, that will provide police record, unless the image in three days back in place.

Polish filmmaker Marcel Łoziński revisits the farmer/intellectual Urszula Flis, subjects of his 1978 film 'A visit'. Łoziński observes the changes that have occurred over the intervening 23 years and again persuades this sensitive, secluded woman to talk through her thoughts, fears and feelings. Through this, the morality of the documentary portrait itself is called into question.

Klara and Aniela are two young girls who decide not to get married. This decision makes bachelors even more eager to conquer them. Adaptation of the classic comedy by Aleksander Fredro.

Andrzej Koszyk, a filmmaker, and Jacek Kaczmarski, a singer, take a trip around Warsaw, the place of their birth and youth, after years of emigration.

A documentary about Elzbieta Czyzewska, one of Poland's greatest actresses, a beauty icon of the 1960s, who died in 2010. She had a great career in Poland, but the filmmakers focus more on her attempts to make a name for herself as an actress in America, after her sudden emigration to the United States with her husband, American journalist David Halberstam. Friends and acquaintances of Elzbieta Czyzewska speak without embellishment about her failed marriage, her battle with alcoholism won after years, and her attempts to return to Poland. This is a story about the fate of the actress at different stages of her career: at the top, at the bottom and in between.

Marta is a romantic and a loser in school. She shares a room with her sister Kasia and grandma, who tells her granddaughters insurgency stories instead of fairy tales. In the room behind the wall, the parents - Tadek and Elżbieta - live their married life. He is an intelligent constantly humiliated by the state, he also makes his own moonshine after work and silently envies his prosperous brother in law. She is the leader of the "Solidarity" union at work, with the need for freedom and a dream to get out of Poland. The real adventure for the family starts when they manage to get their dream orange Fiat 126p. Ela and Tadek discover their appetite for trading and trips abroad, and the growing Marta will fall in love for the first time.

A 40-year old actress (single and strong, yet lonely), her sister (an emotionally unstable schoolteacher whose married-with-kids life appears more orderly) and their domineering father, who gradually loses control over his family due to his wife's sudden illness and his own health troubles; these are the three individuals at the heart of this film, a touching story about the strength of family ties in a situation of imminent danger.

Stories of three women struggling with alcohol. Dorota is a great prosecutor. Using her immunity, she tries to avoid responsibility for her offenses committed under the influence of alcohol. Her husband, a famous politician, helps her keep the problem secret and rescues her from many troubles but he slowly loses patience. A respected children surgeon Teresa has lost her family due to drinking problem, all she is left with is her job at the hospital where she is the main doctor. The situation goes out of control when the woman comes drunk to the hospital. A student, Magda, likes to party hard and because she is a good student and has a great job, no-one opposes that. At one moment, the girl loses control. A tragedy happens.

The trajectory and artistic imagery of actor and director Zbigniew Ziembinski (1908-1978), precursor of modern theater in Latin America and master of generations of Brazilian actors. The polyphonic montage builds on vast unpublished material, covering half a century of performances, teletheaters and interviews by Zimba, as he was known – before and after fleeing Poland, on the eve of the invasion of Warsaw – and recreates fragments of Wedding Dress , a play by Nelson Rodrigues which the Polish-Brazilian director won a revolutionary montage in 1943.

Did the 1989 revolution in Central Europe devour its children? This question is answered by representatives of the anti-communist opposition from Warsaw, Prague, Budapest and Berlin. The documentary shows images of the upheaval, with songs by Jacek Kaczmarski, Jaroslaw Hutka and Wolf Biermann as a backdrop.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

The beginning of 1945, Poland. In a newly liberated country, the Communist Security Service is annihilating its enemies under the guise of punishing "national traitors." They organize a labor camp for Germans, Silesians and Poles, on the site of a former Nazi concentration camp called Zgoda / Reconciliation. Franek, who is in love with the Polish prisoner Anna, goes to work as a warder in the camp to save her. He does not know that one of the prisoners - Erwin, his German friend, also loved this girl for a long time. Franek joins the communists in the illusory hope of outsmarting the system.

Tadeusz Kantor was a great artist. Not only in its own - the twentieth century. Not only in the area of ​​his homeland - Poland. A well-known Krakow documentalist and at the same time his longtime collaborator - Krysztof Miklaszewski- he decided to reconstruct Kantor's road through Europe.

A simple accountant, Jan, due to unfortunate circumstances, becomes a double murderer, sending to the other world an unfaithful wife and her lover. The video recording of the killing lands, by accident in the hands of Kacper, an employee at a video rental. Kacper and his girlfriend decide to blackmail the killer.

Piotr is a psychiatrist. He is on night duty when a boy is brought to his ward. It is Kamil, the son he hasn't seen in years. The boy disappears from the hospital as quickly as he appeared. However, Piotr decides to get in touch with him. He invites him to his place and introduces him to his beautiful young fiancée. After Kamil's visit, the woman realizes that Piotr is a mystery to her and that she really knows nothing about him. And Piotr does indeed hide a dark secret...

After 2 years in a mental hospital, Gosia, 18, is returning to her family and friends. As every other young woman, all she wants is a chance at ordinary life: to finish her studies and meet someone who will love her. She fights to be heard and understood, and speaks openly about her experience of schizophrenia.

This is a documentary about a well-known figure in Polish politics - Wladyslaw Bartoszewski. The hero of the film is a man with a very rich resume. He was born and raised in Warsaw. He was a prisoner of Auschwitz, a soldier of the Home Army, an activist of the Polish Underground State, a participant in the Warsaw Uprising, twice served as foreign minister, and finally a publicist, writer and scientist. In a forty-two-minute documentary it would be impossible to present the full biography of this man - that's why this film selects only the more important episodes from Bartoszewski's life. His life is narrated by the hero himself. Stories about him are also spun in front of the camera: Jerzy Sienkiewicz, Jerzy Turowicz, Krzysztof Kozłowski, Israel Gutman, Jan Nowak Jeziorański, Stanisław Lem and Stefan Kisielewski.

With the emergence of techno music, a new lifestyle and way of spending free time was born, and discos gave way to clubs. Fans of this music, who seek an everyday escape from reality in techno and related trends (trance, trans energy, house, progressive house, badboybreaks, drum-bass, and many others), a way to manifest their separateness from the adult world, to break out of the prevailing patterns, call themselves new hippies.