Balázs Béla Stúdió

According to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.

Using verite conventions, a young couple with a baby and a child are worn away by the monotony of their lives.

A twenty-year-old young man believes that sport and philosophical books help him to be strong enough to meet life, but his determination and will give way to depressing memories.

In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.

A Hungarian Jew is forced to give a false testimony on his relatives in WW2 Hungary.

Black and White Short. Featuring collage centered around a drive through the country.

A family slowly disintegrates under various pressures in late 1970s communist Hungary.

Huszárik's graduation film was another short entitled Groteszk (Grotesque) in 1963 about a strange train voyage of an artist carrying his own picture.

Judit Ember returns to follow the life of Nóra Szabó, the heroine of her documentary film 𝘛𝘢𝘯𝘵𝘰̈𝘳𝘵𝘦́𝘯𝘦𝘵 ("Instructive Story", 1975). The troubled young woman who formerly attempted to commit suicide by jumping off a fourth floor is now an unmarried and pregnant mother with two children. Her own mother also brought up her children in similar circumstances, in a closed community without men. But Jenő, the unflaggingly energetic labourer and father of Nóra’s third, as yet unborn child, brings change into their lives.

A man becomes acquainted with the mystery of female hands during a trip.

A playful portrait of a young woman who merrily roams the streets of Budapest. A New Wave love letter in motion.

A pretty mixed society get together in a camping area. They enjoy their vacation and do not know that two of the vacationists are demolition experts, who are looking for a huge bomb which may explode in any minute. Written by Tamas Patrovics

At the time of the regime change, Imre Kopa travels to Austria with three suspicious characters to buy various items for his client. But in Vienna, nothing goes as planned.

The footage was shot in the writer's room a few days after his death. Everything in the room was untouched. The poet György Petri reads from one of Péter Hajnóczy's works, Miss Embolia. A sacred image of the Eastern European "beaten generation".

Documentary about the Italian men that visit Hungary to meet girls and the Hungarian women that fall in love with them.

An agent, sent to solve the secret of the lives of those who have a daily routine, wishes to be a part of them. After revealing the secret - that the whole world is a projected image - he enters this dream-reality.

Eighteen years after the failure of the revolution and freedom fighting 1848-49, the politicians of Hungary preparing for a compromise with Austria try to make use of the symbol of the revolution, the figure of the poet Petőfi Sándor, to their own advantage. They visit all the memorial sites, find the witnesses and recall the famous events. Memories and political intentions conflict with each other, and the circumstances of the poet's death cannot be reconstructed entirely.

A grey-haired man walks through the fields. Fatigued, but with the same tenacity he roams the roads, the pathways, the tracks every day, medical bag in hand. Everyone awaits him: desperate or in hope, to the dying or to the woman in labour. He is the local GP. In fact, he is film director Imre Gyöngyössy’s father, the protagonist of one of his first short films. The personal narration based on the director’s poem is made complete by the pictures of Sándor Sára and István Gaál who were also active at Balázs Béla Studio at that time.