US
A poet-astronaut is shot through an area of space called the Chronosynclastic Infundibulum. He is duplicated into infinite copies of himself, each of whom finds himself in a bizarre situations on a different world.
Mar 1972
At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.
Jan 1966
Workers in an auto parts warehouse in 1933 New York City inhabit a bleak, dead-end world in the depths of the Depression where, at least, they have jobs. Introduced by its playwright, Arthur Miller, it was the first in a series of NET Playhouse programs concerning life in America during the Depression years.
Jan 1971
In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.
Jan 1967
In this intimate portrait—produced for a segment of National Education Television's "Black Journal" television program—legendary jazz musician Alice Coltrane plays the harp and discusses her thoughts on music, spirituality, family, and the legacy of her late husband, John Coltrane.
Jan 1970
Brothers Grimm tales like "The Golden Goose," "The Bremen Town Musicians" and "The Blue Light" come to life in this stripped-down stage production, which forgoes elaborate sets and costumes in favor of creative acting techniques and storytelling.
Nov 1969
This program profiles Andy Warhol and Roy Lichtenstein, two of pop art's greatest icons. Back-to-back interviews highlight their differences. The voluble Lichtenstein, interviewed in his studio, discusses his methods and the use of familiar objects in his art. The reticent Warhol baits the interviewer, who attempts to extract concrete statements from the elusive artist. The Warhol segment is supplemented by footage of his band, the Velvet Underground; a clip of one of his short films, "Nancy Worthington Fish"; and brief comments from Edie Sedgwick, one of Warhol's proteges.
Mar 1966
A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.
Jan 1958