Greenbaum-Film

A silent adventure based on the classic novel by Stendhal "The Red and the Black".

An old Jewish man is forced to hide the Austrian lieutenant who killed his son and loves his daughter.

During hard times, a vivacious girl looks for an office job in the hope of landing a rich man. The director of the bank she works at flirts with her while not at first revealing his identity so she rejects him.

When a nobleman is threatened by a family curse on his newly inherited estate, Sherlock Holmes is hired to investigate.

The young Queen of Nlilrania and her consort, Prince Ferdinand, are deeply attached to each other, but a hectic youth in Vienna has left him with a flirtatious disposition. An old flame visits the palace, and the Queen apparently has justification for her jealousy. She orders her husband to remain in his apartments. He retaliates by returning the key of the door between their rooms. After a furious scene he departs for Vienna with the Countess. The Queen secretly follows with her aide-de-camp. in the train they encounter sonic officers, and the Queen not only dances, but at Vienna goes to the Arts Ball, where her husband awaits the Countess. Though masked, he recognizes her, and reconciliation ensues.

Jacques Lantier, the "human beast" of the title, has a hereditary madness and has several times in his life wanted to murder women. At the beginning of the story he is an engine driver, in control of his engine "La Lison". His relationship with "La Lison" is almost sexual and provides some degree of control over his mania.

A social drama set in the milieu of the arts.

Das Phantom der Oper was a 1916 silent film. The film, also known as Das Gespenst im Opernhaus, is notable for being the first film adaptation of the 1910 novel The Phantom of the Opera by Gaston Leroux. The film is now believed to be a lost film. No copies, photographs or even a poster of the film remain. All that is known is that it was made in Germany in autumn 1915, directed by Ernst Matray, starring Nils Chrisander as the Phantom and Aud Egede-Nissen as Christine, and Raul played by director Ernst Matray.[1]

Drama of plot and intrigue in Imperial Russia.

German horror mystery movie from 1920.

The Opera Ball (German: Opernredoute) is a 1931 German musical comedy film directed by Max Neufeld and starring Iván Petrovich, Liane Haid and Georg Alexander. It was part of a large group of operetta films made during the decade, although the film is not based on the operetta Der Opernball. The following year it was remade in French as Beauty Spot. A 1932 British remake After the Ball was also made.

Simone finds work as a secretary in a bank whose chief of staff expects more than typed letters.

Musical about a girl typist who leaves Berlin for Venice after winning a contest. A rich bachelor pretending to be poor takes a job with her and competes for her affections with a count and a tenor. No print of the film is known to survive, and it is therefore a lost film. It is based on the operetta Es lebe die Liebe by Alexander Engel and Wilhelm Sterk. It was one of a cycle of operetta films made during the early sound era. A French-language version, Venetian Nights (Nuits de Venise), also directed by Wiene, was released the same year. From Wikipedia.

Philanthropist attempts to awaken the good side in criminals.