Against a plain, unchanging blue screen, a densely interwoven soundtrack of voices, sound effects and music attempt to convey a portrait of Derek Jarman's experiences with AIDS, both literally and allegorically, together with an exploration of the meanings associated with the colour blue.

As night falls, the receptionist of a small hotel dutifully performs her routine tasks while strange lodgers descend upon the dark corners of the inn.

A documentary about the life and works of Margaret Tait.

A brief look at the life of the Greek poet Constantine Cavafy.

Vertical Features Remake is a film by Peter Greenaway. It portrays the work of a fictional Institute of Reclamation and Restoration as they attempt to assemble raw footage taken by ornithologist Tulse Luper into a short film, in accordance with his notes and structuralist film theory. The footage consists mostly of vertical landscape features, such as trees and posts, shot in the English landscape.

Oscar Wilde’s famous and eloquent defence of love – made while he was being cross-examined at the trial that led to his incarceration and death – is strikingly illustrated, word by word, with Mapplethorpe-like imagery.

Documentary about the composer Elizabeth Maconchy, filmed during the rehearsal of a new composition

Toulouse-Lautrec's sketchbooks are turned into an animated short.

A profile of composer Steve Reich, a leading creator of stripped-down, "minimal" music. The program explores how Reich's music eventually became accessible to the musical audience at large. Included are interviews with the composer himself, and contemporaries, and also performances of some of his works.

A portrait of Salford-born poet, storyteller and comic, John Cooper-Clarke. His poems, a satirical blend of humour and social comment, are delivered at a fast pace, often with musical backing. His style, and that of his contemporary Linton Kwesi Johnson, have influenced a generation of younger poets involved in a revival of popular poetry in Britain.

Assesses the contribution made by British avant-garde composer, Cornelius Cardew, to contemporary music. Includes interviews with Stockhausen and other composers, and extracts from Cardew's own works.

Documentary on advertising. Investigates the way work has disappeared from advertising images, and traces the phenomenon through archive advertising films from 1897 to 1960. Places advertising in the context of historical events and everyday life, archive material being juxtaposed with contemporary images.

Remembrance of Things Fast represents the culmination of Maybury's work in video, which has developed alongside the technology itself. Starring Tilda Swinton and Rupert Everett in lead roles, the tape confronts the conventions of world television and satellite broadcast, drawing on the fragmentary nature of the medium and the cliches of the three minute attention span. At the same time, it replaces bland mainstream images with darker, more satirical observations and studies. The environment is surreal, a virtual reality television land of landscapes and imaginary cities, enhanced by Marvin Black's dark, dense soundtrack. It is a cyberspace where the impossible is all too possible. Within this parallel world, a series of archetypes act, observe and comment, informed by a strong sexual sensibility. '..a mesmerising, sometimes hysterically funny, cinematic bricolage with a strong sexual and mostly gay sensibility'. - Cordelia Swann

Early 90s London gets a vibrant dose of African culture in this mini odyssey fusing dance, music and fashion.

“London artist John Smith uses light-hearted humour to explore theoretical concerns - Gargantuan, for instance, is both pleasantly silly and acutely conscious of how imagery depends entirely on its framing. A voice-over intones the words ‘huge’ and ‘strapping’ as a lizard almost fills the screen, then ‘medium’ as the camera zooms out, then ‘tiny’, and finally ‘minute’, a pun on the film’s running time.” Fred Camper, Chicago Reader 2001

Gilbert & George are renowned for presenting themselves as ‘living sculptures,’ fusing their art and identity with the external world. Their exploration of the bleak urban surrounds of 1980’s London, powerfully evoke the desires and tensions of its disillusioned youth alongside their own eccentricities. Poetic narration combines with vivid imagery that moves between the startlingly beautiful, the humorous, and the absurd. Church spires and city streets, youth and drunks, dancing and tea-drinking all take on an affecting symbolism when viewed from the unique perspective of Gilbert & George.

The London Contemporary Dance Theatre perform a fantasy set in the city’s underground system. A boy meets the girl of his dreams, and their journey is followed, against the background rhythms of the train and tunnel sounds. Choreographed by Darshan Singh Bhuller.

From the idea that glass, even when cooled, is a liquid that changes in appearance over time, an offscreen narrator launches a recollection of the bygone days of manual glassmaking and an observation of the impact of the mass-produced glass on the changing appearance of England over time.

Experimental essay in film history, associating very early archive material (circa 1909) and studio shot footage in an attempt to provide insights into the way in which "film language" developed during the silent era, with emphasis on the process by which spectators came to be increasingly "contained" with the space time of narrative.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.