Televizija Zagreb

The action takes place in a village where police investigates a murder committed because of an accordion.

Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.

Three stories from the Mediterranean region that deal with feelings of loneliness, disappointment and transience, and efforts to overcome them.

Based on a TV sit-com series and set in World War II, about how an ordinary woodcutter develops into an active partisan fighter.

A young female student of music finds herself in a Dalmatian town in order to practice organo playing in the local church, and there she falls in love with a timid young man who helps her with it.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

The drama questions what would happen in private and professional terms to a man who would start telling his friends and work colleagues everything he really thinks.

A poor fisherman and his girlfriend live in a small boat under an open sky for decades. Based on a true story.

A TV film based on single act drama written by Miroslav Krleza, that belongs to his expressionist phase. It was first published in 1922, and then regularly as a part of collection of plays called "Legends". By giving them this primordial biblical names, in this drama Krleza speaks about the intricate relation between two lovers, while interweaving reality and unreality, giving wider context of human relations to everything.

By using the motifs of Krleza's play "Adam and Eve", written in 1922, director Tomislav Radic questions a similar pattern of male-female relations in a trivial, contemporary context. With Krleza's lines, Radic counterpoints almost documentary sequences from life, showing how Krleza's youthful distaste for the bourgeois concept of "love" can be actualized in a fundamentally different social environment.

During the WWII, the communist resistance, with the help of a few local anti-fascists, makes sabotage and obstructs the actions of the Yugoslav quislings.

The story of the Partisan, understated idealists… who happily lives in post-war society. The problem arises when his comrades Sylvia wants to declare war memoirs where your credit stands out in an attack on a particularly important strategic enemy position called “The Rooster’s Beak”.

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

Pajo is a hardworking, lonely but also very rich farmer. His son Toma was, however, bored with country life and tried to seek fortune in the city. Short on money, Toma returns to the farm for a handout while Pajo tries to convince him to stay.

Based on a novel by Ivan Slamnig.

It is 1918, the evening of The Great War. Austro-Hungarian empire is collapsing, and all around Croatia there are outlaw deserters, fighting in forests. A city journalist decides to become a country schoolteacher, just to find some peace in that restless political situation. But, neither the village is safe from the militaristic policy of the imperial goverment.

Two neighbors quarrel through the hole in the wall which connects their bedrooms.

When Dr. Lovro Furato accidentally fails to treat the injured eye of the peasant Barisa Surac, the whole silent conflict between the two worlds, rich urban and backward rural, will emerge to the surface.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

The main character is the director of a social enterprise who, before leaving for the airport, faces the fact that his son was beaten during a night out.