Televizija Zagreb

The drama questions what would happen in private and professional terms to a man who would start telling his friends and work colleagues everything he really thinks.

Melkior Tresic is one of many intellectuals in 1941 Zagreb who is helplessly waiting for the encroaching war.

An armed robbery with murder was committed in the downtown of Zagreb. That event will have significant consequences on the unusual relationship between a distinguished politician and a young bon vivant, who is connected to a robbed company.

The Glembays of Zagreb are a rich family cursed with tragedies and haunted by sinister past. Leone Glembay, a rebelious son of the family patriarch, is becoming disgusted with hypocrisy, perversion and crime that runs in the family.

Lidija is a wealthy Zagreb lady who, during the German occupation, begins to collaborate with Yugoslav Resistance.

The film was created based on the stories of Marino Zurl, head of humanitarian action of the weekly Arena newspapers, who from 1963 to 1971 was looking for the next of kin of children separated from their parents during World War II and taken to camps and shelters. Many of them later grew up in orphanages or foster families, like the three main characters of this film, Ana (Biserka Ipša), Nenad (Mustafa Nadarević) and Toma (Božidar Orešković). Each of them relates in a different way to the past and the possibility that, as young accomplished adults, they can finally solve the secret of their identity and meet members of their real families.

Three stories from the Mediterranean region that deal with feelings of loneliness, disappointment and transience, and efforts to overcome them.

Based on the memoirs of Irena Vrkljan. Through reminiscences of Mala and her sisters, we meet her family and her contemporary intellectual elite.

A farcical parody about a group of upstarts who, in the imaginary seaside town of Cipoli, clash with the Venetian cops, led by the comical captain Trapollo.

After a twenty-year absence, psychiatrist returns to his hometown, where a meeting with old acquaintances and a former love will lead him to a life-threatening situation.

In this intriguing, bittersweet picture of the factory atmosphere from the era of socialist self-management, we follow the story of the factory porter Djuro who, unlike his colleagues, has been unable to get an apartment within “social ownership” for years.

Tena, a young Slavonian woman becomes aware of her own beauty which makes her fall into a state of moral decay. Her newly discovered promiscuity eventually makes her fellow villagers turn on her.

It is about difficult times in Croatian family in Istria under Italian rule and the beginning of Italian fascism.

The story of the Partisan, understated idealists… who happily lives in post-war society. The problem arises when his comrades Sylvia wants to declare war memoirs where your credit stands out in an attack on a particularly important strategic enemy position called “The Rooster’s Beak”.

It is 1918, the evening of The Great War. Austro-Hungarian empire is collapsing, and all around Croatia there are outlaw deserters, fighting in forests. A city journalist decides to become a country schoolteacher, just to find some peace in that restless political situation. But, neither the village is safe from the militaristic policy of the imperial goverment.

The story retrospectively returns to the past of the noble Lenić Remetinski family through the stories of the last descendant, old woman Amalija. The novella talks about a frequent subject of 19th century prose, which is the decline of the nobility during the industrial revolution.

This drama premiered in Zagreb in 1935. The plot shows a young man from a well-to-do bourgeois family facing the anger of his parents over his absences from high school, behind which stands his forbidden love with a girl of humble working-class background.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

It’s the winter of 1942. A freight train on the section of the Slavonian railway Vinkovci-Nova Gradiska is under a special Gestapo escort. Fleeing misfortune and evil brought by war, the last wagon is the place of encounter of politicians, war smugglers, deserters and tamburitza players.

In northern Croatia, a typical problem pops out during the engagement between two neighbors, a widower and a pregnant woman.