Factum

The urban space of Zagreb is dominated by the investors' interests, while the identity of neighborhoods and the quality of life of residents are threatened.

Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's recent politics, it has been declared independent republic. What's it like there today? Over a year, the film crew was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a film distribution company and a young stage director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.

This is a story about workers at the Uljanik shipyard in Pula whose job is to apply anti-corrosion protection to ship metal parts. Workers on this dangerous and hard job we follow in time of privatization.

The clash of two worlds in the present-day Europe. As the indigenous population seeks to defend the status quo against escalating immigration, the newcomers are burdened by their own displacement. Forced to flee their homes, they are trying to adapt to the strange new environment.

The film Drinking Water and Freedom was made in 1973. It was only one minute long. The review commission for films from Socialist Republic of Croatia prohibited it from public screening. Its sequel, Drinking Water and Freedom II, was made in 1986. It tells the story of the fate of its predecessor and at the same time details what happened with a well and a stone plaque, the objects that had caused its ban. In 1998, Drinking Water and Freedom III was made, a third instalment and a continuation of the story about water, freedom and the well.

In 1991, on the outskirts of Tenja, Josip Reihl Kir, the chief of the Osijek Police Department and a man dedicated to negotiations and avoding war, was assassinated. Told through the statements of a few witnesses and archive materials from the era, this is a story about the last few months of his life, in the dawn of the bloodthirsty Croatian-Serbian war, which Kir had been trying hard to prevent.

Lidija is 37, she was born in a small town on the Croatian coast. At the age of 19 she left for Amsterdam, where she was promised a waitressing job, but she ended up in the Red Light District. After 15 years, she returns to her hometown to turn a new page and become a mother. In the film she speaks up for the first time about leaving and returning to a conservative community, everything she experienced in between and describes Amsterdam’s windows, porn sets, Playboy covers.

With his film Generation '68, the author makes a homage to the generation with which he shares his youthful enthusiasm and the idea about a revolution that will change the world, while being "realistic and demanding the impossible". At the same time he questions the true impact of these changes on social and - probably more important - private level. Having ideas is easy; making them look credible to the generations that follow is somewhat more difficult. By rejecting the ideals of the 1968 as unworkable, the new generations are coming up with some of their own, maybe even more unrealistic ones...

Documentary about Bad Blue Boys, the fans of Dinamo Zagreb football club.

Although they live right next to Pula's biggest tourist attraction, the people of Mahala, the city's destitute neighborhood, have been forgotten by everybody.

Like many other transitional countries, Croatia became rather conservative. In it’s own, funny way, this film is investigating the area of autoeroticism.

A biographic documentary about a punk-rock icon who surpassed the music and became a symbol of common sense and free thinking.

iIsland is a feature documentary about the last 13 inhabitants of the island of Biševo and their struggles to save the island community from extinction. Lada, who is a yoga instructor, and Lucio, who works as a cook on a ship, have established a city council for the island to obtain legal status. They hope this will protect it from the aggressive tourist industry, which wants to turn the old school building into a tourist centre with multimedia, touch-screen presentations.

In a flurry of social anxiety, entertainment and general unpredictability, we get an idea of what it is like to experience a documentary film festival, and what stays with us when it is all over.

Milan and Silvana live in Medulin, a small coastal town in Croatia. Milan rears cows on the nearby island of Finera, tending them daily, as many did before him. But Silvana wants much more and keeps complaining that Milan should pay more attention to their house and possibly rent it to tourists. However, a dramatic event in Milan's life will clearly show that the times have changed and they are not getting any younger.

An intimate story about the author's search for her brother who went missing in action during war in Croatia in 1991. In a way, the film is a follow-up of the author's grandmother whose husband was killed in World War II. For the rest of her life the grandmother was awaiting his return. The Boy Who Rushed won numerous national and international awards, including the annual Vladimir Nazor Award for Film. It was shown at more than twenty international festivals. In 2001, it was Croatian candidate for Oscar for Best Documentary Film. The Boy Who Rushed is one of the best and most awarded Croatian documentaries in the past two decades.

Hrvatska Dubica is a village on the border with the Republic of Srpska. It never recovered from the devastation of war so its number of inhabitants keeps decreasing. The film centres on Nikica Jukić, a former Croatian veteran who went to war when he was seventeen and received his pension when he was twenty-two. He, his unwed partner Svjetlana, who is of Serbian nationality, and the other characters in the film recount their daily life. They speak about love, hatred, co-existence, as well as current topics such as the European Union border and the arrival of immigrants from the East.

How do the children affect the feelings and opinions, as well as the relationship between Silvestar and his wife? How does he affect each child? Do children change him? Does each of them do it differently?

Goran Dević conducts confessional interviews with three men who were actively involved in the conflict in former Yugoslavia.

The breath-taking yet cold mountain landscapes of Lika shown in this poetic documentary intimate one’s state of mind, inner struggles and revelations. While Zrinka films the spectacular and cruel sights of the region, that very same Lika paints the contours of the director herself, as she revisits experiences of her ancestors and her own experiences in a search for the key for accepting her epilepsy and overcoming previous losses.