Société Française des Films Éclair

Macbeth is a French 1915 film adaptation of the William Shakespeare play Macbeth. It was released on December 31, 1915, in France. It is a silent black-and-white film with French intertitles.

An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.

The cub journalist comes to the aid of a recently remarried woman, whose late criminal husband turns out to be still alive.

Silent mystery

Adaptation of the Émile Gaboriau novel.

In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.

Eugenie Grandet has discovered where her father, a miserable old miser, keeps his treasure. Eugenie's cousin, Charles, is the bearer of a letter from his father to his uncle, Eugenie's father. The letter informs the miser that Charles' father, his only brother, is reduced to a state of utter ruin, and unless he can obtain immediate help, he contemplates suicide.

The story of the children of Captain Grant.

The Twins, regular bad men of the regiment, have been condemned to the military prison, and it goes much against the grain of the kind-hearted Captain Hurluret to see these poor fellows confined to their cells. His leniency toward them, however, is speedily taken advantage of with most amusing results.

Hortense Fauvel, the wife of a village postmaster, takes Aimée, a young shepherdess, under her wing. Aimée soon becomes engaged to François, the Fauvel’s loyal servant. At a fête hosted by the Count of Granval, Aimée gives her fiancé a knife, telling him that he should kill her if ever she ceases to be faithful to him. That same day, the Count is planning to have an amorous liaison with Hortense, but Aimée intervenes. To save her mistress from a scandal, Aimée tells the postmaster that it is she, not Hortense, who has been seeing the Count. Disgraced, Aimée is dismissed by the postmaster. François contemplates his revenge and recalls what Aimée said to him.

No plot available. The director Maurice Tourneur perceived this film to be indicative of the advances French cinema could have taken had it not been derailed by World War I.

Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.

A mother loses first her son and then her husband in the trenches of France during the First World War. She devotes herself to the French cause and to helping those wounded in the war.

"Le Saboteur" is the second episode of the collection "Les batailles de la vie"

The film based on the novel of the same name by Alexandre Duma, is concerned with fraternal royal strife at the court of Henri III. Tragically caught between the millstones of history are the gallant Count de Bussy and the woman he adores, la Dame de Monsoreau.

Based on the novel by Alexandre Dumas.

Paulin Broquet, the great Parisian detective, has brought the notorious bandit, Zigomar, to justice. Determined not to let the law punish him, he had taken poison in the Hall of Justice. Then he was brought to a hospital where he lay motionless and was visited by hundreds of persons. Among the visitors was a slender woman, dressed in black, who secreted herself in the hospital, and, when all the others had gone, went to the bedside of Zigomar and administered an antidote for poisoning.