Yamamura Animation

A hapless country doctor describes with breathless urgency a night-time summons to attend a young patient. Events soon take on a surreal aspect as "unearthly horses" transport him instantaneously to the bedside. The doctor, preoccupied with personal distractions and grievances against those he is employed to care for, fails to find what is revealed to be a vile, fatal wound. He is humiliated by the villagers, who are "always expecting the impossible from the doctor," and doomed to an endless return trip, losing everything.

A miserly man eats the pits of some cherries he can't stand throwing out. A tree starts growing from the top of his head. He cuts it off; it grows back. After a while, he gives up and lets it grow, but the crowds that gather on top of his head to enjoy the tree (and leave huge mounds of trash) eventually drive him to uproot the tree. This leaves a crater on top of his head, which fills with water, which becomes a popular lake.

A seaside school. In the corridor stands the principal, beloved of the high-spirited youngsters. Gazing at a picture of a whale drawn as a child, the head teacher is swept away with sentiment into a flashback from the past.

An animated archive of imaginary monsters written by a fictitious mosterologist in Medieval Europe.

Koji Yamamura's allegory the immutability of time, love and devotion, and the unbreakable nature of the parent-child bond, into interlacing story.

Short by Koji Yamamura

Short by Koji Yamamura

A very old crocodile is shunned by his family after eating one of them.

Here, everything is The North. This is an account of the people I met in The North. However, my fragmented memory doesn't capture the essence at all.

One night Mr. K went for a walk with his pet...

A Parade for three managers and four performers. Sketchy drawings in a neatly arranged palette, involving quotes from the French composer Erik Satie, set to the music of Parade performed by the Dutch Willem Breuker Kollektief.

Somewhere between calligraphy, embryology and words from beyond the grave, a convulsive poem wraps itself around the Japanese syllable ‘da’ – a breath that could just as well be the first as the last.

A child whose head is numerals, a child who winds his own face and has it under his arm. What was left is his identity, a child whose eyes are provided by fishes, a child who cannot say anything because of a zipper across his mouth. Ecology and philosophy of children with sadness and humor.

Buildings, black crows, a flood of bar codes, clone-looking businessmen, shopping-addicted ladies...these images which probably symbolizes excessive, standardized and overcrowded modern cities are condensed in this animation. Various techniques, like modified photo, drawing animation, 3D object and permeating lighting are combined onto a multi-planed (line drawing) stand, with a challenge to express a unique sense of unity and compression.

Canelo Alvarez and Julio Cesar Chavez Jr. sit down to discuss their highly anticipated May 6 showdown.

Using the constellation as a motif, the heavens and the earth, metamorphose all the creatures.

A normal day turns into a day of adventure when an elevator that carries a boy does not stop where it should.

A series of nine flipbook-like vignettes showcasing simple revelations of movement and color. Koji Yamamura's animation refers back to the phenakistoscope, one of the earliest mechanisms used to make drawings move.

Several painted figures are superimposed.

Created using "Etching on film" from the NFB's McLaren's Workshop Application.