G. Méliès

"Business is on the Fritz," nothing to do but complain and everything seems to be going to the "demnition bow-wows." "If things get much worse I'll close up," says the restaurateur to his waiter. "And I'll give up me job," says the waiter, "if I can't get any money out of the place." What's that? It's a "joy wagon" with a crowd of tourists: they're headed for the restaurant. Immediately the proprietor and the waiter hurriedly get a move on and hustle our to receive the guests who are soon conducted into the dining-room, served, dined and wined with alacrity that is almost magical. The host and his waiter are all smiles and are astonished as well as pleased at the liberal way in which their customers order everything and anything.

A lost silent film depicting the battle of the Alamo. Filmed in San Antonio.

Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.

Getting his laundry from the Chinaman, "Honest Jim" spruces himself up in preparation to make a call on "Bess," with whom he is in love. Calling at Circle Ranch, her home, he finds Jack Rance making overtures to her father for "Bess' " hand. She greets Jim pleasantly, but she dislikes Jack; there is something about him which is distasteful to her and when her father intercedes for him she leaves the porch and hurries into the house. She does not have to wait very long to see "Jim" and "Jack" in their true colors and make a choice between the two. The clergyman of the ranch settlement and the .surrounding country comes to the post office where a crowd of cowboys are gathered to receive their mail.

In order to photograph this film, the cameraman placed his equipment on a broad sidewalk in the business district of a large city, probably New York. As the action begins, a woman dressed in the fashion of the time is seen approaching the camera position. She stops in front of the window of a mercantile store. While she is scrutinizing the merchandise, a purse snatcher comes from the rear, grabs her handbag, turns, and makes off with it in the opposite direction. The woman causes quite a commotion, waves her arms and yells attracting a large crowd, including some policemen. The cameraman changed his position and the last scene shows the woman, escorted by two policemen and followed by a group of people, walking down the sidewalk into a building that might be a police station.

Anxious to escape the strain of business and seek diversion and recreation, Robert asks his father to give him a vacation for a few days' rest. The father, who is absorbed by his business affairs, one of the old school plodders, reluctantly grants the son's request and the young man hurries from the office, packs his grip and hustles for the train. On his way he makes the acquaintance of a very charming lady, who is hound for the same place as himself. Arriving at their destination he offers to carry her grip and she accepts his proffered kindness. Loaded down he follows her to the hotel where he gladly deposits the luggage to escape a complete collapse from exhaustion. He finds his "acquaintance" very winsome and attractive.

He has fought his last fight and the prize-ring will know the old pugilist no more. Knocked out by an organic disease, he is in a bad way not only physically but financially. He has an interesting daughter, a bright boy and a good wife who are well thought of by the people of the neighborhood in which they live, among whom is a young minister. The doctor who attends the old boxer sees that nothing but a complete change to some warmer climate will benefit the patient and also recognizes that under the circumstances the change would be impossible unless someone comes to his assistance with the necessary money to defray the expense. The physician writes a note to the young clergyman telling him of his diagnosis of the case and his conclusions. The young divine hastens to see the sick man.

Nell, an independent and somewhat obstinate girl, receives an invitation to attend a dance. She asks her mother for money to buy a new dress. Her mother, a hard working woman, who has to toil from morn to night, feels that her request involves an unnecessary extravagance and she denies it. Nell answers her sharply and leaves in a sullen mood. While working in the hot, broiling sun, the mother is overcome with the heat.

He's a regular "fan" and studies the baseball news as carefully as some people do their Bibles. He comes to breakfast with his dear little wife and finds his morning paper as usual at his plate. "By Jove!" he shouts, as he glances at the news, "a game this afternoon." Then he begins to wax eloquent about the strikes, flies, home runs and base hits, putting his hand in the hominy, knocking the coffee pot from the table and winding up his exposition by pulling the table-cloth off and everything else with it. He has gone the limit and wifey can humor his craze no longer. She swoops down upon him with an umbrella and gets in some "swats" that nearly knock the cover from his dome. He makes a run for the office with a deep laid plan to go to the ball game by pretending he has a toothache.

Bill Sanders, sheriff of Alkali County, gets a warrant for Red Rube, the tough. He gives it to his deputies to serve, but Rube gets busy with the strong arm and makes them look like monkeys. When several installments of deputies have failed, Bill Sanders gets on the job himself. Bill not only knows how to juggle the 44 Colts, but he keeps gray matter in his skull. In going after Red Rube, he decides to rely on his brains instead of his hardware. He disguises himself as a tenderfoot, arms himself with a camera, and gets on Rube's trail. Things are warm and lively thereafter, but Sanders gets his man, and the honor of Alkali County is preserved.

Dick, an easterner, comes west to try his luck at mining. No sooner does he arrive than Hartley, the local gambler and all-around villain, commences to make sport at his expense. Dick endeavors to bear it patiently, but a clash is inevitable, until the arrival at the village store of Mary Brown, one whom all held in respect, excepting Hartley.

In the mountain wilds of Tennessee there is no end to the manufacture of moonshine whiskey. Whole families live on this nefarious trade and many of them die by it. The men who work at this business are constantly hunted by United States revenue officers as violators of the law for manufacturing of liquor without a special license. The "Mountain wife" loves her husband and stands by and shields him from his enemies, the officers; when they are on his track she hides him, then throws them off his trail, giving him time to escape in the mountain fastnesses, as we are shown in this interesting and thrilling picture.

If John was half the man that Molly is, she and her father would have been a great deal better off. Molly by her industry and ambition has saved up five hundred dollars to go to college and complete her education; she is very proud of her achievement. John is a young fellow with extravagant idle notions, who refuses to hold his jobs as a skilled mechanic and insist upon spending his time in rambling and dissipation. Molly loves her brother and tries to induce him to mend his ways and make a man of himself.

It is a beautiful morning in Indian Summer, and White Doe is out in her birch bark canoe, engaged in a fishing expedition for food. She paddles home under the overhanging trees and vines, lights the small fire in front of her tepee and cooks her primitive breakfast. The air is bracing, the birds are singing, life is free and good. Also White Doe is happy for she had caught a gleam of admiration in the eyes of a stalwart cowboy, when she visited a ranch a few days before with her offering of plaited baskets and the famous blankets of her Navajo tribe. She begins her work of basket weaving, dreaming the love dreams of her people and her heart singing with coquetry and the happiness of conquest, for she is also loved by a brave of her tribe, a wealthy son of a chief with a hundred horses.

Full of booze, bluster, and fight "Black Pete," a big "bad man" of the wild west comes from the local saloon ready to put daylight through anybody and everybody within the range of his voice and the reach of his gun and, to further convince the crowd that he is the terror of the territory, lands on an inoffensive bystander knocking him down. "Billy" is an entirely different sort of a citizen; he is a young chap living with his sister whom he loves very dearly; their love is mutual. Billy has received a letter and stops on his way home in an opening in the woods to read it. While thus engaged, an Indian girl is making her way through the woods. "Black Pete" coming along the pass sees and attacks her. Billy springs to her defense and knocks "Pete" down; in falling he strikes his head on a stone and is killed.

Nora, who is the president of the Bachelor's Club, receives a letter announcing the death of her uncle in the west and that he has made her heir to his immense fortune. Including a ranch at Grey Oaks. Nora decides to go west and take charge of the ranch and run it herself a la suffragette fashion. She invites all the girls to go with her and they start for their new home. Arriving at Grey Oaks they pay no attention to the cowboys who greet them at the station but go at once in the old stage-coach to the ranch. The cowboys follow, approach the ranch, offer their services and are rewarded by being driven from the premises. The boys make up their minds to "get next" to the girls and devise a scheme.

Mary is from Boston, and she doesn't just take to the cow punchers as she would to the "rah-rah boys" of the Hub. Bill, who is a fellow of no small caliber, is looked upon by his companions as a sort of leader, feels a little miffed, but acknowledges she is the real goods and has some occasion to feel proud of herself; at the same time he won't stand for her snubs. The punchers await developments and make up their mind what can't be cured must be endured. The Captain, a classy chap, from a neighboring ranch, puts in his appearance, and asks Mary to go riding with him.

Desdemona was not the only woman to have trouble over a handkerchief. It occurred to Mary also. Mary was in love with Bill, who worked on her father's ranch, and was greatly admired by all the boys. Shorty returned from town one day with a fine checkered handkerchief, which he proudly placed about his neck, strutting in front of Bill to attract his notice. The handkerchief was almost loud enough to speak for itself, so Bill noticed it all right. One of the boys sneaked it from about Shorty's neck and hung it on a nail, where Mary found it. Seeing that it was new, she placed it about her own comely neck, but alas, Othello Bill became jealous and accused her of accepting it from Shorty.

A young corporal in the United States Cavalry in the Black Hills is very much in love with a young ranchman's daughter who lives near the military barracks. He asks her to marry him and she promises to do so when he has won his third stripe, making him sergeant. It is not long before he receives an assignment from his superior officer to carry an important dispatch to the commanding general at Fort Darrow. In the successful fulfillment of his mission he would be promoted to the office of sergeant, secure his third stripe and his girl.

"I do hate learnin', but oh! you schoolmarm!" is what the boys at the gulch said when Mary came to town; and, from "Big Bill" down to Hop Lee, the Chink, they all took to study, and to courtship. The rivalry is friendly until the new foreman blows in and takes the inside track, then "Big Bill" gets jealous. At the swell (?) reception the foreman cuts Bill out and Bill decides to "lay for him." The foreman soon discharged a greaser who later robs the paymaster and contrives to fix the blame on the foreman.