Shochiku Kinema (Kamata)

Japanese silent film directed by Yasujirô Shimazu, originally released as a two-part movie on December 11, 1931.

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.

When a young man inherits his father's lucrative business, he cheats the system to set up three of his college friends with jobs.

A gangster tries to find redemption with the inadvertent help of an innocent shop girl and his jealous girlfriend will do anything to keep him.

Japanese silent film from 1928, ranked as Kinema Junpo's second-best Japanese movie of the year.

This bittersweet comedy tells the tale of a group of college roommates attempting to cheat their way through their exams. As the title goes, things don't work out for our roguish main character, but his classmates soon find themselves in a similarly sorry state...

"The Dancing Girl of Izu" tells of the story between a young male student who is touring the Izu Peninsula and a family of traveling dancers he meets there, including their youngest girl. The student finds the naïve girl attractive even though he eventually has to part with the family after spending memorable time together.

Lost film. Two reporters find that they are repeatedly beaten to the scoop by a new female journalist, 'young miss'. They decide to team up with her to investigate a secret club for wealthy voyeurs. Considered to be a lost film.

A melodrama by noted auteur and father of director Yoshitaro Nomura, Hotei Nomura. This is apparently the first adaptation of Izumi Kyoka's The Romance of Yushima.

This 1932 adaptation is the earliest sound version of the ever-popular and much-filmed Chushingura story of the loyal 47 retainers who avenged their feudal lord after he was obliged to commit hara-kiri due to the machinations of a villainous courtier. As the first sound version of the classic narrative, the film was something of an event, and employed a stellar cast, who give a roster of memorable performances. Director Teinosuke Kinugasa was primarily a specialist in jidai-geki (period films), such as the internationally celebrated Gate of Hell (Jigokumon, 1953), and although he is now most famous as the maker of the avant-garde silent films A Page of Madness (Kurutta ichipeji, 1926) and Crossroads (Jujiro, 1928), Chushingura is in fact more typical of his output than those experimental works. The film ranked third in that year’s Kinema Junpo critics’ poll, and Joseph Anderson and Donald Richie noted that 'not only the sound but the quick cutting was admired by many critics.

Directed by Mikio Naruse. It is presumed to be lost.

Based on the Sakatayama double suicide

The Siege of Osaka

Japanese silent film from 1928. Kinema Junpo ranked it among the ten best Japanese movies of the year.

Japanese silent film from 1926. (Obo-chan meaning "Young Master.") Written by Ayame Mizushima, the first female screenwriter in Japan.

Tetsuo Nomoto, a young college graduate tries to find a decent job by himself. Later on, he will marry his girlfriend, Machiko, whom he hides the fact that he has no job. Hardships come quickly, which forces Machiko to find a job in a bar.

Directed by Mikio Naruse. It is presumed to be lost.

A blacksmith is chased out of the village by the sinister village chief and forced to move to the forest with his wife and two sons. The blacksmith's younger son is disabled, and the other children in the village tease him. The older son aspires to become a doctor in order to fix his brother's leg. The film depicts the bond between a father and his sons. Only 18 minutes survive.