A year ago, on 29 December 2019, prisoners were exchanged with the self-proclaimed ‘LPR’ and ‘DPR’. Among the Ukrainians who returned home were journalist Stanislav Aseyev, tanker Bohdan Pantiushenko, and human rights activist Andriy Yarovoi. Four months earlier, on 7 September, Crimeans Oleg Sentsov and Oleksandr Kolchenko were released from Russian colonies. We spoke to the former prisoners about their first year of freedom.

A documentary story about the participation and victory at the Eurovision Song Contest 2022 by the Ukrainian band Kalush Orkestra.

A story about Ukrainian monumental art of the Soviet period in Mariupol. Photographer Stanislav Ivanov lived in Mariupol all his life. He studied history, streets, houses, monumental art. Some of the mosaics are more than half a century old. The "Tree of Life" panel - created by a team of artists led by Alla Gorska and Viktor Zaretsky - was bricked up after the death of the artist and reopened in 2008. This and other stories were collected by Stanislav Ivanov and art critic Oleksandr Chernov in the album "All Shades of Mariupol Mosaics". After February 24, 2022, the mosaicists, like hundreds of thousands of residents of Mariupol, became hostages of the occupying forces of the Russian Federation. In the film, we are transported to peaceful Mariupol in December 2021 and, together with Stanislav, explore the city and its mosaics, transported to a place where time and the elements seemed to be the greatest threats.

The film tells three personal stories about the famous bicycle. The film's protagonists are a cultural manager from Kyiv, an engineer from Kharkiv, and a utility worker from the Carpathians. These are very different people, but they are all united by the fact that they ride the Ukraine bicycle.

The nearest town to the Chornobyl Exclusion Zone is Ivankiv, home to about 8,000 people. From February 24 to April 1, Ivankiv was under Russian occupation. The occupiers bombed the museum of Maria Prymachenko, a world-renowned local artist. Despite air raid alarms, attacks by Russian drones and missiles, power outages, and the ongoing threat from neighboring Belarus, the town continues to live. Our story is about the residents of Ivankiv — more precisely, the children who study at the Maria Prymachenko School of Arts, where they practice music and visual arts. While creating paintings in the style of the famous artist, the children share their experiences of surviving the occupation and how the war affects their lives.

Slavik is a young Kharkiv ceramist who often works with naked models while creating his sculptures. He is a Pentecostal believer and faces rejection of his work by the religious community to which he belongs. He decides to find out if his art is a sin. He meets several priests of different confessions, artists and the editor-in-chief of Playboy magazine to find out where the moral line is between temptation and creativity. Furthermore, he decides to create a sculpture of a blind girl being blindfolded himself in order "not to be tempted" by the body of the model.

The film tells the story of the development of Ukrainian dubbing. Until 2006, there was almost no Ukrainian dubbing on the big screen. According to the film's screenwriter Alina Stepanets, it is a great achievement that over 90% of films in theatres are now dubbed into Ukrainian. The secrets of working on Ukrainian dubbing are discussed in the film by such well-known film figures as film distributor and owner of the dubbing studio Bohdan Batrukh, dubbing director Olha Fokina, actors Yevhen Malukha, Yurii Kovalenko, Oleh Mykhailiuta (Fahot), translator Oleksa Nehrebetskyi and many others. In addition, the film's characters will recall working on the Ukrainian dubbing of their first films, Cars and Pirates of the Caribbean: Dead Man's Chest.

This is a story about generations and the importance of preserving historical memory. The grandmother of one of the protagonists, Svitlana Zalishchuk, left behind a diary in which she recorded her memories of the terrible times. Veronika, a 12-year-old girl from Uman, and her mother made a film for the Autumn on Pluto 2.0 project about her grandmother Ksenia Logvyniuk, who told us where people found food and how they escaped starvation. Sasha, another 12-year-old protagonist of the film, did not find her great-grandmother alive, but she recreated her relative's experiences based on her father's stories.

A whimsical TV documentary about renowned Ukrainian-American artist Jacques Hnizdovsky, whose journey from displaced persons camps to global fame mirrors the experiences of modern Ukrainian emigrants. Told through the eyes of his beloved cat Jérôme, it explores identity, nature, and overcoming loneliness.

Stories united by the Revolution of Dignity. Charismatic and honest characters tell about their own Maidan: Lesia Khomenko, Alevtyna Kakhidze, Maks Vehera, Oleksii Furman and Bohdan Kutiepov.

The documentary "Crimea. Liberation" tells the story of a special operation of the Security Service of Ukraine in Crimea in 1994, which lasted more than three months. Back then, the SBU's Alpha special unit stopped a rebellion by Russian proxies who sought to separate the peninsula from Ukraine overnight. The film features the direct participants of the special operation: the first Head of the Security Service of Ukraine, Yevhen Marchuk; SSU Lieutenant General Vasyl Krutov; SSU Major General Vitaliy Romanchenko; SSU Colonels Serhiy Ropaev and Pavlo Dubrov, Colonel Ivan Yakubets, as well as Valeriy Kozyarsky, Refat Chubarov and Oleksandr Paliy.

This is a story about the Ukrainian comic book industry. The authors introduce the audience to a still little-known and under-appreciated art form in Ukraine - drawn stories. Where did this art come from? When did it appear in our country? What forms did it take in the Soviet era and how did it change in the first years of independence?

The story is not only about Ukrainian museums during a full-scale war, but about the survival of our culture in general. The occupiers are trying to destroy it and steal it, but thanks to museum workers, it is not only being protected, but also multiplied.

A documentary project that shows viewers behind the scenes of this cultural exchange and explores the current processes of integrating Ukrainian culture into the European context. The heroes of the project are the participants and visitors of the festival, who demonstrate with their own stories the unique connection and cultural integration of Ukraine into the plane of Liverpool, one of the cultural capitals of Europe. In particular, Sarah Fisher, director of Liverpool's Open eye gallery, Yuliia Kurinna, a volunteer and displaced person from Nova Kakhovka, and actor and director Yurii Radionov will share their thoughts.

"Hudaks aren't people" is a line from a traditional Transcarpathian song. Thus, hudaks, the village musicians who play at weddings, have long been separated from the rest of the people. It works the same way at a wedding: they have a separate table from the guests, separate transportation, and special treatment. They are most often self-taught musicians who inherited their profession from their father or grandfather. They are usually the "stars" in the village, people talk about them, because life around them tends to be in full swing, even when they seem to be surrounded by ordinary rural life: milking a cow, feeding a goat, herding sheep, slaughtering pigs for Christmas, mowing hay, or going to the Czech Republic for a "stroiky".

The story of the world tour of the choir chapel conducted by Oleksandr Koshyts in 1918-1924. By the coincidence of modern history, the plot of the film raises a number of current problems of today - opposition to Russian cultural expansion and propaganda, issues of cultural diplomacy of Ukraine, the place of Ukrainian cultural product in the world and its struggle for itself.

On the morning of October 10, editor Yury Marchenko was supposed to be running through Shevchenko Park, near his home, at the same time as the Russian rockets hit it. One of them — to the playground, the other — to the intersection of Shevchenko Boulevard and Volodymyrska Street. The blast wave damaged "strategic" objects: museums, educational institutions, restaurants, galleries, hospitals, the Ministry of Education, the Teacher's House and the protective structure around the monument to Mykhailo Hrushevskyi. We are looking for an answer not only with Yuriy Marchenko, but also with volunteer Serhii Prytula, architect Slava Balbek, historian Oleksandr Palii, military expert Serhii Kuzan, deputy director of the National Science and Natural History Museum of the National Academy of Sciences Oksana Chervonenko and director of the Khanenko Museum Yulia Vaganova.

Documentary that follows Go_A’s lead singer Kateryna Pavlenko in the build up to Eurovision 2021.

Makariv is a small village near Kyiv. In February and March, there were battles here as the Russian army was on its way to Kyiv. Many buildings were damaged by shelling, including the local fire station. Volunteers from the organisation Building Ukraine Together set up a camp to help the firefighters restore the building. They woke up, did exercises, had breakfast and repairs, and in the evening shared their experiences and their own stories. Artem's friend was killed in Tokmak in the first days of the war, Ira witnessed the death of her family in Irpin, Dasha's father is in the Ukrainian army, Yura left the camp early because he went to the funeral of his friend who died at the front. These stories are much deeper than they seem. Find out more about youth and war, about repairing without experience and a summer camp in a bombed-out village in the documentary story by Suspilne Culture.

In the 1980s residents of Bakota and dozens of other villages were evicted by the Soviet authorities, forcing them to destroy their houses and farms with their own hands. Now there is a scenic canyon on this place and just married people take photos there. Eevery day Taras Horbnyak, the main character, comes to this place to see where his village used to be. Taras works as a guide - he willingly tells tourists the history of his land, which turned into the water.