Amp – Studio Virtual

Luisa and Erika are prototypes of young women who plunge into relationships with the "wrong" men. Luisa wants to become an actress, which upsets her husband Igor to no end. Erika is trying to work as much as possible so that she can afford to study and thereby achieve a better outlook on life, but she unfortunately runs up against a boss who doesn't have the best intentions with her. Ultimately Luisa's husband demonstratively commits suicide. Erika accidentally kills her boss in self-defense... The women blame themselves for all these failures, and that has got to change. Both have to grow up and start living again. Perhaps even together.

Three "miniatures" touching on romantic relationships between men and women from different perspectives. Matěj, a young vegetable garden guard and lover of idleness and village women, spends the night in the grass with Agáta, the wife of a switchman, even though he is not particularly interested in the unsatisfied woman. Voloďa, a young man growing up without a father, is confused about his feelings for the married thirty-year-old Míša, who seduces him on a whim and then rejects him. The hunter with a "free spirit" refuses to spend even a single day with his unhappy village wife, whom the mayor (who first got him drunk) married him to years ago out of envy for his shooting skills.

Worried that his father is gay and that it's hereditary, 13-year-old Tomás gets his girlfriend pregnant. Therein ensues a romantic comedy of errors.

A dark and absurd road-movie comedy in which the grandmother fulfills a dream, the mother stops treating her daughters like kids, the daughters stop treating their husbands like idiots, and the father's ashes get spread all over the country.

At his parsonage over the Tatra Mountains, Marian Kuffa readily takes care of more than 200 people in need. This unostentatious movie is not just a portrait of a remarkably selfless man but also a more general contemplation of the complicated lives of alcoholics, junkies, and all other social outcasts, as well as an elegant reflection on mercy and the forms that faith can take.

“Try to describe what it's like to see,” one of the blind actors in Jana Ševčíková's documentary urges the film crew. The same challenge for him is to express how reality is perceived and experienced by a visually impaired person. Ševčíková therefore does not explain the blindness. Using everyday situations as examples, she empathetically and without pathos presents the stories of six people who never stop dreaming, yearning, and searching for ways to be as free in life as the sighted majority. They find sources of energy in work, sports, dance, and relationships. We are also transported into their world by the dimly lit black and white camera and the layered soundtrack.

Father Viktor, highly capable and successful in his profession, and his son Petr, an equally successful and promising student, suddenly find themselves in an unexpected situation – after the death of their wife and mother, these two exemplary models of the perfect man and student must deal with such a mundane matter as taking care of the household. As capable, intelligent, and successful men, they naturally see no problem with this. Their experienced neighbor Lupínek, a distinguished grandfather with four grandchildren to look after, warns them in vain and offers his help. Male vanity and pride are stronger. As a result, they gradually find themselves in a whirlwind of embarrassments, problems, and disasters that gradually erode their self-confidence and destroy their firm belief in their own perfection. Fortunately, Uncle Artur comes to the rescue.