Seirinsha

A psychotherapist suffers from the onslaughts of Satori, the demon whose name is paradoxically homonymic to the word used for enlightenment experiences in the Zen tradition. Many people mistakenly believe that such a state is the goal of Zen practice; however, the demon strikes at people who are in a state devoid of thought or feeling. Satori's influence spreads from the psychotherapist to a couple who grow increasingly uninhibited.

Second film in Tsuchimoto's series on Minamata disease - the victims of Minamata disease negotiate directly with Chisso Corporation (responsible for dumping toxic water into Minamata Bay) for life-long medical care and compensation.

After a handful of groundbreaking films detailing the tragedy and suffering of the mercury-poisoned Japanese town of Minamata, documentary master Noriaki Tsuchimoto revisits the subject of Minamata through the eyes of the celebrated husband-and-wife painting duo Iri and Toshi Maruki. Tsuchimoto follows the Marukis from their quaint homestead studio, where they paint slews of ghastly, psychotropic mural panels depicting the effects of Minamata disease, to the streets of Minamata, where they meet and paint portraits of several victims of mercury poisoning.

The sea around Minamata was heavily polluted with mercury during the 1950s and 1960s from the Chisso Corporation's chemical factory. This highly toxic chemical bioaccumulated in shellfish and fish in the Yatsushiro Sea which, when eaten by the local populace, gave rise to Minamata disease. The disease was responsible for the deaths and disabling of thousands of residents, all around the Yatsushiro Sea. The marine ecosystem was also extensively damaged.

Documentary on the life of Teruo Kawamoto, a leader of Minamata disease activism

A film essay about nuclear energy in Japan, composed of newspaper clippings collected in scrapbooks

An update to the story of Minamata disease, going up to 1976

A medical perspective of Minamata disease in three parts - 1) Progress of Research; 2) Pathology and Symptoms; 3) Clinical Field Trials

Umitori takes place in Shimokita Peninsula on the northern edge of the mainland, which was becoming a “nuclear energy peninsula”, undergoing tremendous development and serving as the home port for Mutsu, a nuclear­-powered ship. Focusing on the fishermen and their stories, Tsuchimoto and his crew made their subject matter the “theft of the sea” perpetrated by giant business conglomerates. While the fishermen of Minamata were obvious victims of the mercury­-poisoning tragedy, the fishermen in Shimokita were inadvertently becoming the permanent victims of another announced trag­edy. Tsuchimoto interviews the fishermen, especially focusing on a stage play actor and his boat­-owner family, establishing, as it became his practice, a complex reflection about the threat brought to small communities by the forces of “progress”.

A record of the stories of patients suffering from Minamata disease, 30 years after its discovery

Interviews with Burakumin in Osaka, victims of discrimination

A tangerine field stretches along the seashore in Minamata. Minamata disease patients, unable to work on the sea, work hard at growing amanatsu oranges.

A film answering "eight questions about Minamata disease," produced for the October 1996 Minamata-Tokyo Exhibition