D1film

There are nearly twenty thousand species of them, they have been on Earth for hundreds of millions of years, and they play an indispensable role in many ecosystems. Yet lichens are usually overlooked. Ondřej Vavrečka decided to take a closer look at these fascinating organisms. His view, like the accompanying dialogue between experts Trevor Goward and Curtis Randall Björk, is both scientific and contemplative. For him, lichens represent not only a form but also a way of life. They show that an alternative to the constant expansion and reshaping of the environment can be the establishment of symbiotic communities in which every life has equal weight.

The scent trail as an evidentiary method in criminal proceedings was invented in the USSR and subsequently developed by the East German secret police and widely used against opponents of the regime. Since the 1980s, it has become a common part of police and judicial practice, even in the post-communist Czech Republic. Zuzana Piussi's latest film continues the director's investigative work dealing with the problematic construction of reality and dead ends in Central European justice. It follows the fate of people who seek retrials of unfair court proceedings and, in the wake of this, asks whether the method of proving the presence of a person at a crime scene based on the scent detected by a dog is really impartial or how it is possible that a scent trail is often sufficient as the only evidence to convict suspects, even though it is questioned by scientists.

Fifty-something former miner Jaroslav has always dreamt of a career as a race car driver. In a congenial and jovial manner, he represents not only the charms and struggles (especially economic) of southeastern Moravia, but also the ever more visible chasm between city and countryside. An uncommonly charismatic portrait of a man struggling with the traumas of the past who, with disarming directness, clings to the promise of good luck and a dignified life alongside a new partner.

Our era is marked by the transformation of social institutions, with universities central to Euro-American civilisation’s development. Despite past persecution, universities have become bastions of free thought and knowledge, crucial to democratic culture. However, commercialisation and massification have introduced challenges affecting teaching, research, self-governance, and the system overall. How do universities maintain academic freedoms, and what are the consequences of their failure? Can we identify and address these challenges?

What impact do the Olympic Games have on their host cities? Athens, Tokyo, Beijing and Paris – cities that have changed the urban layout of entire neighbourhoods for the Olympics, transforming their appearance forever. Unused sports stadiums are falling into disrepair and grass is growing over them, while public attention is focused on the construction of new stadiums costing billions, displacing thousands of residents who have to make way for them. The director travels to Olympic host cities to explore this unsustainable cycle, which has a devastating effect on the city's economy, the environment, and the lives of ordinary people.

After a painful divorce, 50-year-old Nadia finally finds a good flat for reasonable price for her and her daughter. Too good to be true, and soon, albeit too late, she comes to understand the reason for the bargain. Her close neighbour in the house is mentally ill Valika who terrorises everyone around her. Piussi’s film creates a string of absurd encounters with increasingly menacing effects, but it is – at its core – a fantastically precise film about humanism, its consequences, its possible limits.

The film gives a complex insight into the gap in political reality of Slovakia - one of the EU countries - which became visible after an investigative journalists Ján Kuciak and his fiancée has been brutally murdered at their home. Following mass demonstrations led to substantial changes in the country's government, but the film doesn't follow history, but much more the universal processes behind the curtain. Journalists, (ex?)-officers of secret services, lawyers and analysts helps to reveal detective story in search of whom ordered to murder a journalist and an innocent girl. But main concern of the film is to reflect mechanisms of oligarchy and mafias (including the Italian) to blackmail key players of the system, to influence public perception and to penetrate police, judiciary and the government in their efforts to rule the country in the ways leading to their profits.

The forest is cultivated with a saw. At least that’s still what forestry schools teach. But what does a healthy forest actually need? Foresters and hunters see the forest as an agricultural commodity and nature as something that must be constantly regulated and managed. On the other side stand conservationists – advocates of non-intervention, who believe the forest can take care of itself without us. Where does private ownership stand in this conflict? And is a human’s right to use natural resources in their surroundings superior to the bear’s right to do the same? Slovak forests have become a battleground – but also a proxy issue of a social conflict that runs much deeper than it first appears.

The availability of housing is a big topic today. It has the strongest impact on those who participate least in the public debate – low-income households, minorities or single women. The film follows a group of activists around Martin Freund, a representative and member of the Live Brno movement, as they try to persuade politicians in the second largest Czech city about their vision of affordable housing.

In the past ten years, the Slovak citizens’ trust in justice has fallen sharply. Thanks to the access to Threema messages of Marian Kočner, a businessman under investigation in relation to the murder of the journalist Ján Kuciak and his fiancée Martina Kušnírová, a vast corruption network within state administration and the justice system has been revealed. Disintegrating the merciless machinery including corrupt judges, rich and influential businessmen, mafia, politicians, and innocent citizens alike, is all but an easy task. Reflecting on the long-term crisis of the Slovak justice system, Zuzana Piussi’s investigative documentary asks whether the justice system with its many failures can ever be corrected.