Contra Studio

A black political comedy, which, as a backdrop, uses the election race and the accompanying chaos in the media. The film's protagonist is a presidential candidate in the 2000 elections in Poland who suddenly withdraws from the election campaign despite his best ratings. During the election battle, he portrays himself as a professional liar and decides to give away everything he has previously won. What he doesn't expect, however, is how difficult a problem giving can be.

In 2011, a psychiatric patient is visited by a postulate. The patient is a retired head of the "D" Group – a secret department of the Security Service to fight against the Polish Catholic church. Murders, beatings, blackmails, provocations, robberies, those are standard methods of operation for its officers. The postulate wants to unravel the mystery of the death of priest Roman Kotlarz, a parish priest from Pelagow.

This is the story of a man who travels the country alone, dragging all his small possessions behind him on a cart he has constructed. His attitude causes a variety of reactions from people - from kindness to outright dislike and intolerance.

A poetic narrative about the dream and longing for ideal art. The protagonist is a 19-year-old musical genius Joachim (modeled probably after F. Schubert or R. Schumann). A creator inhabiting the borderline between reality and madness. . . or perhaps genius? A man who steers his fate or perhaps merely follows the glamor and darkness of women (such as Clara Wieck, Schumann's wife; Mozart's Constance; or mysterious Rosamund) encountered along the way. Music of the great Romantics provides the backdrop for the story: Mozart's Quintet in A-major, Schubert's Arpeggione Sonata, and Schumann's eponymous Märchenbilder.

Russian Federation Duma deputy Omar O. Begov, when asked if Stalin can be put on the same level as Hitler, is offended. He says: Poland should be grateful to Stalin that it was separated from other countries, that it became independent. Truman, Churchill and others wanted to divide her like Germany. Stalin insisted that the Republic of Poland remain independent. Most Russians think similarly - if they think about it at all. Some, however, like historians from the Memorial Association, are uncovering the horrifying truth about the methodical, multi-stage extermination of Poles that began on Stalin's orders in 1934.